Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's ' "Act II, ii, 9 Grand pas Classique: Corps de Ballet (Minkus)" was released on its scheduled release date, February 1, 2025. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Act II, ii, 9 Grand pas Classique: Corps de Ballet (Minkus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Paquita - Full Length". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United States. Act II, ii, 9 Grand pas Classique: Corps de Ballet (Minkus) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Act II, ii, 9 Grand pas Classique: Corps de Ballet (Minkus) by Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Quixote: Act II: Sailor's Dance | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 2 | 10B | 121 BPM | ||
| Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
| Don Quixote/Kitri Variation Ver.2(Act.3) | Kim Ji Hyun | E♭ Major | 2 | 5B | 100 BPM | ||
| Swan lake Dance of the Little Swans | SC-Mirai | B Minor | 1 | 10A | 104 BPM | ||
| Don Quixote, Act IV: Classical Variation I | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Grand Pas Classique Female Variation | Bruno Lawrence Raco | F Major | 1 | 7B | 103 BPM | ||
| Le Corsaire: Act III - "4. Le Jardin Anime: Waltz" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 0 | 4B | 142 BPM | ||
| First Pirouette Waltz (from Don Quixote) | Douglas Schultz, Ludwig Minkus | D Major | 2 | 10B | 140 BPM | ||
| Don Quixote: Prologue: Allegro assai | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| La Bella Durmiente Adagio | Orquestra Sinfonica De Radio Praga | E♭ Major | 1 | 5B | 60 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
| Don Quixote: Act I: Street Dancer | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 0 | 10B | 100 BPM | ||
| Dégagé (from Don Quixote) | Douglas Schultz, Ludwig Minkus | D Major | 2 | 10B | 83 BPM | ||
| Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
| Clog Dance (La Fille Mal Gardee) | The Regency House Orchestra | G Minor | 2 | 6A | 130 BPM | ||
| La Bella Durmiente Vals | Orquestra Sinfonica De Radio Praga | E♭ Major | 1 | 5B | 60 BPM | ||
| Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Don Quixote, Act 3: Coda (Arr. John Lanchbery) | John Lanchbery, Ludwig Minkus, State Orchestra Of Victoria | A Major | 4 | 11B | 146 BPM | ||
| Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
| Don Quixote: Act II: Carmencita | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 109 BPM | ||
| No. 16 Ballabile | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 91 BPM | ||
| VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
| Adage 1 (Don Quixote) | Nate Fifield | A♭ Major | 1 | 4B | 121 BPM | ||
| Paquita: Variation 7: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 201 BPM |