"Lindsay And The Endless Wall Of Alarm Clocks" by Trophy Scars had its release date on April 11, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Trophy Scars's "Hospital Music For The Aesthetics Of Language" album is number 6 out of 6. Based on our statistics, Lindsay And The Endless Wall Of Alarm Clocks's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lindsay And The Endless Wall Of Alarm Clocks by Trophy Scars to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ape Dos Mil | Glassjaw | G Major | 9 | 9B | 108 BPM | ||
| The Shape of Punk That Never Came | United Nations | G Minor | 10 | 6A | 144 BPM | ||
| Sunfalls and Watershine | This Day Forward | B♭ Major | 9 | 6B | 138 BPM | ||
| Atoms Smash | Weatherbox | C Major | 9 | 8B | 162 BPM | ||
| Prefaced by the Signal Fires | Circle Takes the Square | B♭ Minor | 10 | 3A | 158 BPM | ||
| Running From The Rain | Thursday | D Major | 8 | 10B | 147 BPM | ||
| Bowie | Poison The Well | B♭ Major | 5 | 6B | 120 BPM | ||
| The Clearing | Weatherbox | D Major | 5 | 10B | 147 BPM | ||
| People are Machines | PM Today | G Major | 10 | 9B | 95 BPM | ||
| Anna Lucia | Trophy Scars | E Minor | 7 | 9A | 135 BPM | ||
| Old Jaw | Pianos Become The Teeth | D♭ Minor | 6 | 12A | 128 BPM | ||
| This Was Built To Make You Dance (The Dance Dance Revolution) | Secret Lives Of The Freemasons | G Major | 10 | 9B | 95 BPM | ||
| My Second Restraining Order | I Am The Avalanche | B Major | 8 | 1B | 142 BPM | ||
| Small Skeletal | Crime In Stereo | G Minor | 9 | 6A | 142 BPM | ||
| City Don't Care | Mansions | E Minor | 8 | 9A | 132 BPM | ||
| Oh Charitable Thief | O'Brother | G Minor | 3 | 6A | 116 BPM | ||
| Love | Loma Prieta | A♭ Major | 10 | 4B | 110 BPM | ||
| This Is It, This Is It | As Cities Burn | E♭ Minor | 10 | 2A | 170 BPM | ||
| Pent Up Genes | Listener | G Major | 8 | 9B | 155 BPM | ||
| Waves Crash, Clouds Roll | Defeater | F Minor | 10 | 4A | 104 BPM | ||
| Same Shade as Concrete | Circle Takes the Square | A Minor | 8 | 8A | 149 BPM | ||
| My Exit, Unfair | mewithoutYou | E Minor | 6 | 9A | 83 BPM | ||
| Brother's Blood | Kevin Devine | A Minor | 6 | 8A | 120 BPM | ||
| The Waiting Makes Me Curious | Fear Before The March Of Flames | F Minor | 7 | 4A | 120 BPM | ||
| Antartica Inside Me | Poison The Well | C Major | 10 | 8B | 154 BPM |