Pat Metheny, Lyle Mays, Pat Metheny Group's 'Tell It All' had a release date set for October 1, 1984. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in First Circle by Pat Metheny Group. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Tell It All is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tell It All by Pat Metheny, Lyle Mays, Pat Metheny Group is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Night Away | Pat Metheny, Brad Mehldau | G Minor | 6 | 6A | 130 BPM | ||
| Wave Upon Wave | Jonathan Kreisberg | F♯ Major | 4 | 2B | 100 BPM | ||
| Telegram | John Abercrombie | G Major | 1 | 9B | 74 BPM | ||
| The Lost Foot | Alain Caron | G Major | 7 | 9B | 110 BPM | ||
| (Go) Get It | Pat Metheny Trio | G Major | 3 | 9B | 151 BPM | ||
| Victims of the Groove | Scott Kinsey, Gergo Borlai, Hadrien Feraud, Katisse Buckingham | B Major | 7 | 1B | 107 BPM | ||
| Après la pluie | Alain Caron | G Major | 2 | 9B | 116 BPM | ||
| Tone Row Weaver | John Klemmer | D♭ Major | 3 | 3B | 136 BPM | ||
| Diamonds And Pearls | Marcin Wasilewski Trio | G Major | 1 | 9B | 78 BPM | ||
| Tropical Breeze | David Benoit | A♭ Major | 4 | 4B | 111 BPM | ||
| Self Portrait | Steps Ahead | D Major | 3 | 10B | 138 BPM | ||
| Swing Time | Novecento, Dominic Miller | D♭ Major | 6 | 3B | 102 BPM | ||
| Liana | Toninho Horta | A Major | 5 | 11B | 111 BPM | ||
| Travels With Myself - And Someone Else | Bill Bruford | B Minor | 2 | 10A | 139 BPM | ||
| Azure Moon | Yellowjackets | D♭ Major | 4 | 3B | 143 BPM | ||
| Sunlight | Pat Metheny | F♯ Major | 7 | 2B | 132 BPM | ||
| Traces (Of A Tear) | Al DiMeola Project | E Minor | 4 | 9A | 117 BPM | ||
| Healing Power | Carla Bley | F♯ Minor | 4 | 11A | 81 BPM | ||
| Where's Mumphrey? | Steve Khan | F♯ Minor | 8 | 11A | 124 BPM | ||
| From Nowhere To Now Here (Intro) | Philippe Saisse | C Minor | 2 | 5A | 124 BPM | ||
| Time Passed Autumn - Pt. I | Claus Ogerman Orchestra | C Minor | 1 | 5A | 109 BPM | ||
| Mr. Pastorius | Miles Davis | G Minor | 3 | 6A | 118 BPM | ||
| Praise | Aaron Parks | F Major | 2 | 7B | 128 BPM | ||
| Ballad | Al DiMeola Project | E Major | 2 | 12B | 118 BPM | ||
| Minuano (Six Eight) | Pat Metheny Group | E Minor | 4 | 9A | 156 BPM |