Hari Om Sharan's ' "More Nain Base Girdhari" was released on its scheduled release date, December 31, 1984. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hari Om Sharan, Nandini Sharan's "Govind Ke Gun" album is number 4 out of 5. On top of that, India appears to be the country where this track was created. More Nain Base Girdhari is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of More Nain Base Girdhari by Hari Om Sharan to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Isk Ke Vicks | Golu Raja | D♭ Minor | 6 | 12A | 97 BPM | ||
| Mahalaakshmi Ashtakam | S.Rajeshwari | G Minor | 7 | 6A | 154 BPM | ||
| Kahna Hoga Kuchh Kar Na Sake | Prem Bhushan Maharaj | B♭ Minor | 8 | 3A | 117 BPM | ||
| Jeevan Hai Anmol | Praveen-dimple | F♯ Minor | 3 | 11A | 72 BPM | ||
| Vande Bhuvaneshwari | Rishi Nityapragya | B♭ Major | 4 | 6B | 110 BPM | ||
| Mere Bhole Baba Ko Anadi Mat | Manish Tiwari | F♯ Major | 4 | 2B | 88 BPM | ||
| Jai Gange Mata | Anjali Jain | F♯ Major | 8 | 2B | 93 BPM | ||
| Yeh Kis Ki Sada Hai (with Commentary) | Bhupen Hazarika, Gulzar | B♭ Major | 3 | 6B | 137 BPM | ||
| Teri Bansi Pe Jau Balihar Rasiya | Mridul Krishan Shastri | B Minor | 7 | 10A | 87 BPM | ||
| Dwar Pe Thado Langooriya | Gyanendra Sharma | A♭ Major | 7 | 4B | 78 BPM | ||
| Teri Ban Jayegi | Piyusha-Kailash Anuj | A Minor | 5 | 8A | 150 BPM | ||
| Baithas Has Tariya Ke Par O | Dukalu Yadav | A Major | 5 | 11B | 91 BPM | ||
| Jaya Radhe Jaya Krishna | Swarup Damodar Prabhu | E♭ Major | 3 | 5B | 170 BPM | ||
| Koi Kahe Govind Gopal | Mridul Krishan Shastri | A♭ Minor | 7 | 1A | 96 BPM | ||
| Pahada Wali Maa Shero Wali | Rakesh Tiwari | F♯ Major | 8 | 2B | 82 BPM | ||
| Dukh Mein | C. Ashwath, Santha Shishunala Sharifa | A♭ Major | 4 | 4B | 84 BPM | ||
| Mere Mann Ka Papiha | Sarika Kapoor, Surinder Kohli | F♯ Minor | 5 | 11A | 152 BPM | ||
| Brundavan Me Kunj Bhavan Me | Swami Haridhos Giri Guruji | A Major | 6 | 11B | 177 BPM | ||
| Ganesha Dhyanam | S.Rajeshwari | C Major | 4 | 8B | 141 BPM | ||
| Tola Bandaw Dai | Dukalu Yadav | A♭ Major | 8 | 4B | 115 BPM | ||
| Om Jai Jagadish Hare | Rajendra Jain | G Major | 6 | 9B | 90 BPM | ||
| Mata Rani Teri Jay Jay Kar | Anil Hanslas | B Major | 6 | 1B | 80 BPM | ||
| Us Din Ki Baat Hai (with Commentary) | Bhupen Hazarika, Gulzar | B♭ Major | 3 | 6B | 135 BPM | ||
| Ram Naam Bhajale Pyare | Sarvesh Mishra | B♭ Major | 3 | 6B | 127 BPM | ||
| Jalkamad Chhadi Jane Bala | Lalita Ghodadra, Arvind Barot | E♭ Major | 6 | 5B | 137 BPM |