Anatoly Lyadov, Stephen Hough's ' "Lyadov: A Musical Snuffbox, Op. 32" was released on its scheduled release date, June 21, 1993. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "The Piano Album". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Lyadov: A Musical Snuffbox, Op. 32's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lyadov: A Musical Snuffbox, Op. 32 by Anatoly Lyadov, Stephen Hough having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berceuse for Piano in D-Flat Major | Mily Balakirev, Christian Spring | D♭ Major | 0 | 3B | 80 BPM | ||
| Le tombeau de Couperin: V. Menuet. Allegretto moderato (Arr. Z. Kocsis for orchestra) | Maurice Ravel, Hungarian National Philharmonic, Zoltán Kocsis | E Minor | 0 | 9A | 86 BPM | ||
| Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
| 3 Nocturnes for Cello and Guitar: Nocturne No. 2 in F Major - Adagio cantabile | Franz Burgmüller, Anja Lechner, Pablo Marquez | F Major | 0 | 7B | 123 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 70 BPM | ||
| Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | ||
| Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
| Prélude, Op. 46 No. 4 | Anatoly Lyadov, Yoko Kikuchi | E Major | 1 | 12B | 170 BPM | ||
| Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
| On an Overgrown Path, Book 1, JW VIII/17: No. 5, Štěbetaly jak laštovičky | Leoš Janáček, Jennifer Elowsky-fox | F♯ Major | 0 | 2B | 65 BPM | ||
| Preludes, Op.31 (2003 - Remaster): No.13 (Cantique des cantiques) | Charles-Valentin Alkan, Ronald Smith | B♭ Minor | 0 | 3A | 88 BPM | ||
| Petite Suite: Nocturne | Alexander Borodin, Alexander Krichel | E Minor | 1 | 9A | 66 BPM | ||
| Lieder ohne Worte, Book 2, Op. 30: VI. Allegretto tranquillo "Venetianisches Gondellied", MWV U110 | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 61 BPM | ||
| 6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
| Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 70 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Andante Spianato: Tranquillo | Frédéric Chopin, Idil Biret, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | G Major | 0 | 9B | 61 BPM | ||
| String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
| Polonaise, Op. 49 | Anatoly Lyadov, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 2 | 8B | 91 BPM | ||
| Ravel: Le Tombeau de Couperin, M. 68: I. Prélude | Maurice Ravel, Bertrand Chamayou | E Minor | 1 | 9A | 89 BPM |