Jim James's ' "Too Good To Be True" was released on its scheduled release date, October 5, 2018. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Uniform Clarity". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Too Good To Be True is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Too Good To Be True by Jim James having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| State of The Art (A.E.I.O.U.) - Demo | Jim James | B♭ Minor | 6 | 3A | 78 BPM | ||
| Scare Easy | T. Hardy Morris | F Major | 7 | 7B | 110 BPM | ||
| When You're Gone, You're Gone | A Fragile Tomorrow, Brandi Carlile, Jim James, Lindsay Fuller | B Major | 6 | 1B | 112 BPM | ||
| Beyond The Veil | Dylan LeBlanc | B Minor | 3 | 10A | 97 BPM | ||
| Gentle Spirit | Jonathan Wilson | F Major | 3 | 7B | 139 BPM | ||
| What Light (Never Goes Dim) | Aidan Knight | A Major | 3 | 11B | 82 BPM | ||
| Untitled #2 | Los Coast | C Major | 6 | 8B | 121 BPM | ||
| Part One - Homecoming | Ray LaMontagne | F♯ Major | 3 | 2B | 190 BPM | ||
| Lost my Head there | Kurt Vile | A Minor | 6 | 8A | 94 BPM | ||
| Mourning Sound | Grizzly Bear | G Major | 7 | 9B | 128 BPM | ||
| The Saint Of Lost Causes | Justin Townes Earle | D Major | 6 | 10B | 151 BPM | ||
| Touch of Grey | The War On Drugs | B Major | 9 | 1B | 152 BPM | ||
| Alone But Moving | Here We Go Magic | D Major | 5 | 10B | 82 BPM | ||
| Love Ain't Enough | The Barr Brothers | F Major | 6 | 7B | 81 BPM | ||
| Progress | Booker T. Jones, Yim Yames | D Major | 7 | 10B | 97 BPM | ||
| Desert Raven | Jonathan Wilson | D Minor | 6 | 7A | 189 BPM | ||
| Everything I Am Is Yours | Villagers | E Minor | 5 | 9A | 110 BPM | ||
| Roscoe - Beyond the Wizard's Sleeve Remix | Midlake, Beyond The Wizards Sleeve | A♭ Minor | 7 | 1A | 122 BPM | ||
| I'm an Outlaw | Kurt Vile | F Minor | 9 | 4A | 114 BPM | ||
| The Human Touch | Jim James, Teddy Abrams, Louisville Orchestra | D Major | 1 | 10B | 72 BPM | ||
| The Keepers | Ty Segall | F Major | 5 | 7B | 139 BPM | ||
| Colored Emotions | Night Moves | D♭ Minor | 7 | 12A | 99 BPM | ||
| Holding on for Life | Broken Bells, Danger Mouse, James Mercer | B Minor | 6 | 10A | 169 BPM | ||
| Windows | Sugar Candy Mountain | F Major | 6 | 7B | 83 BPM | ||
| Why Can't We Live Together | Jim James | D Major | 3 | 10B | 171 BPM |