Ramaiah Muthuswamy, Latha Walpola, Karunaratne Abeysekera's 'Wee Kirilli Yayi Igilli' had a release date set for March 29, 1961. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ramaiah Muthuswamy's "Kurulu Bedda" album is number 3 out of 5. On top of that, Sri Lanka appears to be the country where this track was created. Wee Kirilli Yayi Igilli is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wee Kirilli Yayi Igilli by Ramaiah Muthuswamy, Latha Walpola, Karunaratne Abeysekera to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sajal Sajal | Bhakta Raj Acharya | C Major | 6 | 8B | 138 BPM | ||
| Hare Krishna Vol 3 Part 1 - Original | Bitu Samajpati, NA | D Major | 5 | 10B | 127 BPM | ||
| Ore Tara Tui Dili Dhara | Runa Laila, Khurshid Alam, Tojamel Haque Bakul | D Major | 7 | 10B | 90 BPM | ||
| Na Bole Keno Chole Jai | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Basan Paro Ma Basan Paro | Pannalal Bhattacharya | B Major | 3 | 1B | 61 BPM | ||
| Nenu Ela | K. V. Mahadevan, S. P. Balasubrahmanyam, P. Susheela | C Major | 6 | 8B | 101 BPM | ||
| Roop Jab Benakab Ho Jaayi | Madan Rai | G Major | 5 | 9B | 193 BPM | ||
| Nangkhou Nublwa | Gautam Brahma, Sulekha Basumatary | G Major | 6 | 9B | 174 BPM | ||
| Ki Dhan Ami Chaibo Raja Go | Sabina Yasmin, Tojamel Haque Bakul | A♭ Major | 5 | 4B | 109 BPM | ||
| Oba Sandak | Neela Wickramasinghe, Bandara Athauda, Sanath Nandasiri, Kapila Herath, Victor Rathnayake, W. D. Amaradeva, Mohan Raj, Kamal Addaraarachchi | D Major | 5 | 10B | 94 BPM | ||
| Mero Pauma | Gopal Yonjan, Meera Rana | D Minor | 7 | 7A | 125 BPM | ||
| Kali Ghate Aachhe Kali | Parikshit Bala | A Minor | 5 | 8A | 156 BPM | ||
| Jiban Nadir Ghuripake | Gostho Gopal Das | B♭ Minor | 4 | 3A | 151 BPM | ||
| Jai Bolo Baba Lokenather | Kumar Sanu | A♭ Major | 7 | 4B | 107 BPM | ||
| Ulagalum | Pushpavanam Kuppusamy | F Major | 8 | 7B | 98 BPM | ||
| Punchi Punchi Mal Wage | Sri Nihal Jayasinghe, Mallika Kahawita, Ramaiah Muthuswamy, Mallika Perera | C Major | 6 | 8B | 73 BPM | ||
| Vishwanathashtakam | Vijay Sai | G Minor | 6 | 6A | 86 BPM | ||
| Mangalam Jaya Mangalam | Ramaiah Muthuswamy, Karunaratne Abeysekera, Mohideen Beig | B♭ Major | 4 | 6B | 171 BPM | ||
| Dol Dol Duluni | Alpana Banerjee | E♭ Major | 3 | 5B | 123 BPM | ||
| Jhim Jhim Jhim Dupure | Arundhati Holme Chowdhury, Salil Chowdhury | E Major | 1 | 12B | 74 BPM | ||
| Khao Dao Bacho | Mrinal Banerjee, Kumar Sanu | A Major | 1 | 11B | 64 BPM | ||
| Hala Karu Hu | Baps Swaminarayan Sanstha | E Major | 3 | 12B | 132 BPM | ||
| Kharer Protima Pujisre | Swaraj Roy | B♭ Major | 5 | 6B | 130 BPM | ||
| O Malik Sarajibon | Bhupen Hazarika | F Major | 4 | 7B | 79 BPM | ||
| Halave Halave | Narsinh Mehta, Sanat Vyas | F Minor | 4 | 4A | 82 BPM |