Eric Marienthal's 'Oasis' had a release date set for January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Oasis". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Oasis is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Oasis by Eric Marienthal having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summer Groove | Tim Bowman | G Major | 8 | 9B | 93 BPM | ||
| Tell Me All Your Secrets | Warren Hill | F Minor | 7 | 4A | 92 BPM | ||
| Timeless World | Chris Geith | F Minor | 8 | 4A | 200 BPM | ||
| Button Legs | Cindy Bradley | B♭ Minor | 7 | 3A | 105 BPM | ||
| Till We Meet Again | Special EFX | F Minor | 7 | 4A | 95 BPM | ||
| You Gotta Be Real | 3rd Force | F♯ Major | 7 | 2B | 90 BPM | ||
| Squeeze Me | Cindy Bradley | G Major | 4 | 9B | 176 BPM | ||
| I Believe In You | 3rd Force | A Minor | 7 | 8A | 176 BPM | ||
| So Far So What | Fattburger | A Minor | 6 | 8A | 98 BPM | ||
| Walk on By | Bob Baldwin | F Major | 6 | 7B | 91 BPM | ||
| Sweet Talk | Eric Marienthal | A Major | 5 | 11B | 110 BPM | ||
| Tale of Two Cities | Darren Rahn | A Major | 7 | 11B | 92 BPM | ||
| Bohemia | Andy Snitzer | D Minor | 5 | 7A | 81 BPM | ||
| Tradewinds | Steve Oliver | A♭ Major | 7 | 4B | 96 BPM | ||
| When I Found You | Eric Marienthal | C Major | 1 | 8B | 144 BPM | ||
| Top Down | Greg Manning | G Major | 7 | 9B | 110 BPM | ||
| Night Vision | Pieces Of A Dream | G Major | 5 | 9B | 93 BPM | ||
| Can't Help Myself | The Sax Pack | F Minor | 7 | 4A | 113 BPM | ||
| Belmont Ave | Jacob Webb | F Major | 7 | 7B | 107 BPM | ||
| Déjà Vu | Joe McBride | D♭ Minor | 7 | 12A | 83 BPM | ||
| De-Stress Signal | Oli Silk | G Minor | 6 | 6A | 156 BPM | ||
| Skyway | Steve Oliver | A♭ Minor | 7 | 1A | 90 BPM | ||
| Wherever You Are | Rob Zinn, Andrew Neu | F Major | 6 | 7B | 90 BPM | ||
| Better Days | Everette Harp | G Minor | 4 | 6A | 83 BPM | ||
| Children At Play | Marc Antoine, Cara Jackson | D Minor | 6 | 7A | 92 BPM |