- BPM
- 101
- Key
- B♭ Minor
- Camelot
- 3A
Opening: Let There Be Light by John Williams Song Details
"Opening: Let There Be Light" by John Williams had its release date on 1977. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 26 in Close Encounters Of The Third Kind by John Williams. In terms of popularity, Opening: Let There Be Light is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Opening: Let There Be Light by John Williams is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 19%
- Loudness
- -28.428 dB
- Acousticness
- 1%
- Danceability
- 29%
- Energy
- 2%
- Instrumentalness
- 3%
- Liveness
- 12%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tending To Huey | Peter Schickele | A Minor | 0 | 8A | 92 BPM | |
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 | Outstretched Hands | John Williams | A♭ Major | 1 | 4B | 86 BPM | |
 | Headlights - Main Title | Mark Isham | B♭ Minor | 1 | 3A | 123 BPM | |
 | Sarah Dream - Remastered 2017 | Brad Fiedel | D♭ Major | 3 | 3B | 79 BPM | |
 | One Eyed Willie | Dave Grusin | A Major | 1 | 11B | 66 BPM | |
 | The Army Arrives | Michael Kamen | C Major | 2 | 8B | 122 BPM | |
 | Metropolis, Op. 29, Act I "Auftakt": Maschinen | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | |
 | Five Circles | Vangelis | D Major | 1 | 10B | 63 BPM | |
 | De-Tuned Quartet | Jonny Greenwood | A Major | 4 | 11B | 136 BPM | |
 | King Kong (reconstructed J. Morgan): Main Title | Max Steiner, John Morgan, Moscow Symphony Orchestra, William Stromberg | E Minor | 4 | 9A | 82 BPM | |
 | Foreign Visitors Arrive | Patrick Doyle | G Major | 3 | 9B | 83 BPM | |
 | Main Title | Basil Poledouris | B♭ Major | 4 | 6B | 100 BPM | |
 | Death Camp | Michael Kamen, The LA Allstar Orchestra | B♭ Major | 3 | 6B | 141 BPM | |
 | Replicas | John Williams | A♭ Major | 1 | 4B | 72 BPM | |
 | A Few Friends Save Manhattan | Randy Edelman | F Major | 3 | 7B | 83 BPM | |
 | Red Route I | Basil Poledouris | A Major | 1 | 11B | 100 BPM | |
 | Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM | |
 | Live and Let Die Suite: III. Snakes Alive | George Martin, Berlin Music Ensemble, Craig Leon | G Minor | 1 | 6A | 111 BPM | |
 | Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | |
 | Mach II | Bill Conti | C Major | 3 | 8B | 140 BPM | |
| The Buddhist Praying Temple / The Last 110 000 and Hidetora / The Fury of Ootemon / The Second Castle | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | |
 | Al Lado | Armonias | D Major | 1 | 10B | 91 BPM | |
 | Back To The Future Overture | The Outatime Orchestra | B Major | 6 | 1B | 135 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records