Wilson Tanner's ' "Keith" was released on its scheduled release date, April 1, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 69, so we believe that "Keith" is a single. The popularity of Keith is currently below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Keith by Wilson Tanner is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Espiral - 冥丁 Remix | Weste, MEITEI, 冥丁 | D♭ Major | 4 | 3B | 72 BPM | ||
| Darby Saddle | Albrecht La'Brooy, Joseph Batrouney | B♭ Major | 3 | 6B | 128 BPM | ||
| Time, Being | Jonny Nash, Suzanne Kraft | A♭ Minor | 0 | 1A | 77 BPM | ||
| Oats With Sarah | Loris S. Sarid, Swampy Cello | C Major | 2 | 8B | 71 BPM | ||
| Quinque II | Mark Pollard | D♭ Major | 3 | 3B | 73 BPM | ||
| Why Do I Still Sleep | Popol Vuh | D Minor | 0 | 7A | 69 BPM | ||
| Rebecca's Theme (Water) | A.R.T. Wilson | F Major | 4 | 7B | 90 BPM | ||
| Partial Recall | Awkward Corners | F♯ Minor | 0 | 11A | 130 BPM | ||
| Pardon | Yu Su | C Major | 0 | 8B | 70 BPM | ||
| Calibrating Sense | Sofie Birch, Johan Carøe | C Major | 2 | 8B | 120 BPM | ||
| Bubbles | Wilson Tanner | G Minor | 2 | 6A | 112 BPM | ||
| Featherweight | Car Culture | F♯ Minor | 3 | 11A | 82 BPM | ||
| Dolpherde | Fools | F Minor | 5 | 4A | 116 BPM | ||
| See Yourself Out of the Way | Jonny Nash, Suzanne Kraft | A Minor | 0 | 8A | 172 BPM | ||
| Hew | Flaer | D Major | 3 | 10B | 125 BPM | ||
| Goodnight Buggy | Sulah Jordan | A♭ Minor | 4 | 1A | 74 BPM | ||
| Watching Boats Pass By | Domenique Dumont | E♭ Major | 1 | 5B | 74 BPM | ||
| Idle | Wilson Tanner | B♭ Minor | 1 | 3A | 80 BPM | ||
| Strength Of A Young Man | The Vernon Spring | C Minor | 0 | 5A | 96 BPM | ||
| Blue Age | Josiah Steinbrick | B♭ Major | 1 | 6B | 118 BPM | ||
| Flat on the Water's Surface | Martin Brugger | B Major | 4 | 1B | 147 BPM | ||
| Ono mambo haiku | Domenique Dumont | G Minor | 2 | 6A | 101 BPM | ||
| A New Kind Of Quiet | Spirituals | F Major | 1 | 7B | 153 BPM | ||
| Toad | Loris S. Sarid | D Major | 2 | 10B | 106 BPM | ||
| From Tbilisi | Passepartout Duo | C Minor | 2 | 5A | 172 BPM |