- BPM
- 96
- Key
- D Minor
- Camelot
- 7A
Goldberg Variations, BWV 988: Var. 13 a 2 Clav. by Johann Sebastian Bach, Catrin Finch Song Details
Johann Sebastian Bach, Catrin Finch's 'Goldberg Variations, BWV 988: Var. 13 a 2 Clav.' had a release date set for January 1, 2008. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Var. 13 a 2 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 32 in Bach, J.S.: Goldberg Variations, BWV 988 by Johann Sebastian Bach, Catrin Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Goldberg Variations, BWV 988: Var. 13 a 2 Clav. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Goldberg Variations, BWV 988: Var. 13 a 2 Clav. by Johann Sebastian Bach, Catrin Finch is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -17.538 dB
- Acousticness
- 99%
- Danceability
- 39%
- Energy
- 20%
- Instrumentalness
- 94%
- Liveness
- 11%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 38%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | |
 | Bach Orchestral Suite No.2 in B Minor, BWV 1076: I. Ouverture | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 121 BPM | |
 | Serse, HWV 40: Largo "Ombra mai fu" | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | |
 | Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | |
 | Goldberg Variations, BWV 988: Var. 1 - 1981 Version | Johann Sebastian Bach, Glenn Gould | G Major | 4 | 9B | 165 BPM | |
 | Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (Chorus) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | G Major | 1 | 9B | 123 BPM | |
 | Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | |
 | Violin Concerto in G Minor, BWV 1056: I. (Allegro) | Johann Sebastian Bach, Isabelle Faust, Muriel Cantoreggi, Christoph Poppen, Bach-Collegium Stuttgart, Helmuth Rilling | C Minor | 2 | 5A | 75 BPM | |
 | Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | |
 | 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | |
 | Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | |
 | Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | |
 | Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | |
 | Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | |
 | Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | |
 | Lyric Pieces, Book I, Op. 12: No. 1, Arietta | Edvard Grieg, Javier Perianes | G Minor | 0 | 6A | 65 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | |
 | Violin Concerto In A Minor BWV 1041: Adagio | Camerata Antonio Luco, Johann Sebastian Bach, Emmy Verhey | F Major | 3 | 7B | 113 BPM | |
 | Waltz in G-Flat Major, D. 1/14 "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | D Minor | 1 | 7A | 113 BPM | |
 | Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | |
![(Ré)inventio: No. 14 in B-Flat Major [After J.S. Bach's BWV 785] by Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay](https://i.scdn.co/image/ab67616d00001e025657f4fc85bfe8b8e02c6d0e) | (Ré)inventio: No. 14 in B-Flat Major [After J.S. Bach's BWV 785] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | |
 | Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | |
 | Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM |
- ISRC
- DEN960830214
- Label
- L-M Records/RCA Records