Messiah, HWV 56: Part I: Comfort ye, comfort ye my people (Recit) by George Frideric Handel, John Aler, Richard Westenburg Song Details

George Frideric Handel, John Aler, Richard Westenburg's ' "Messiah, HWV 56: Part I: Comfort ye, comfort ye my people (Recit)" was released on its scheduled release date, 1982. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Richard Westenburg's "Handel: Messiah" album is number 2 out of 53. On top of that, United States appears to be the country where this track was created. Messiah, HWV 56: Part I: Comfort ye, comfort ye my people (Recit) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

We consider the tempo marking of Messiah, HWV 56: Part I: Comfort ye, comfort ye my people (Recit) by George Frideric Handel, John Aler, Richard Westenburg to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.078 dB
Acousticness: 90%
Danceability: 39%
Energy: 32%
Instrumentalness: 0%
Liveness: 58%
Loudness: 75%
Speechiness: 4%
Valence: 44%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Capriol Suite: 2. Pavane	Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	160 BPM
L'Aria	Heinrich Ignaz Franz von Biber, Christina Pluhar	D Minor	1	7A	86 BPM
Armide: Passacaille	Jean-Baptiste Lully, Véronique Gens/Les Talens Lyriques/Christophe Rousset, Christophe Rousset, Les Talens Lyriques	F Minor	1	4A	122 BPM
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro]	Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble	F♯ Major	4	2B	101 BPM
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia	Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner	F♯ Minor	1	11A	94 BPM
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea)	Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar	G Major	1	9B	77 BPM
Concerto in F Major, S. 234: III. Un poco allegro	Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel	D♭ Major	2	3B	76 BPM
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta	William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner	D Major	1	10B	101 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato	Alessandro Marcello, Venice Baroque Orchestra	D♭ Minor	0	12A	79 BPM
6 Sonates en symphonies, Op. 3, Sonata No. 6: IIa. Larghetto	Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski	A♭ Minor	0	1A	133 BPM
Dolly Suite, Op. 56: I. Berceuse	Gabriel Fauré, Katia Labèque, Marielle Labèque	E Major	0	12B	63 BPM
Symphony in C Major, Op. 1, No. 6 (Callen 6): I. Allegro	Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong	G Major	2	9B	143 BPM
Andante in F Minor (Arr. L. Lencses)	Gaetano Donizetti, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub	F Minor	1	4A	63 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
Oboe Concerto in C: 1. Introduzione (Larghetto)	Domenico Cimarosa, Heinz Holliger, I Musici	C Minor	1	5A	172 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio	Alessandro Marcello, Venice Baroque Orchestra	D♭ Minor	0	12A	79 BPM
Schwanengesang, D. 957: Ständchen	Franz Schubert, Mischa Maisky, Daria Hovora	D Minor	0	7A	179 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103	Felix Mendelssohn, Péter Nagy	E♭ Major	0	5B	65 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo	Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana	D Major	1	10B	78 BPM
Andante Cantabile	Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet	B♭ Major	0	6B	90 BPM
Le roi s'amuse: Pavane	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	B♭ Major	0	6B	91 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Concerto Grosso in D Major, Op. 6 No. 4: IV. Allegro	Arcangelo Corelli, Concerto Köln, Evgeny Sviridov	D♭ Major	2	3B	76 BPM
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin)	Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag	C Major	2	8B	114 BPM
Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile	Carl Philipp Emanuel Bach, Christopher Hinterhuber	E Minor	1	9A	106 BPM