"Drama And Comedy" by Lambert had its release date on August 30, 2024. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 13 in Actually Good by Lambert. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Drama And Comedy's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Drama And Comedy by Lambert is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pressure And Room | Lambert | A♭ Minor | 3 | 1A | 67 BPM | ||
| Composite 05 | Thrupence, Josh Hooke, Jack Vanzet | A Major | 0 | 11B | 112 BPM | ||
| menschenkinder | BARTH. | E♭ Minor | 1 | 2A | 150 BPM | ||
| Now and Then | Roger Eno | C Minor | 0 | 5A | 69 BPM | ||
| Moonlit Dreams | Moux | D Minor | 0 | 7A | 61 BPM | ||
| mythes | Lara Somogyi, Jean-Michel Blais | D Major | 1 | 10B | 169 BPM | ||
| Adrift | Jacob Mühlrad | D Minor | 0 | 7A | 67 BPM | ||
| Inner Voice | Anthony Jacobus | E Minor | 1 | 9A | 88 BPM | ||
| RAINY PEARL | haruka nakamura | F Major | 0 | 7B | 137 BPM | ||
| A Cycle Ends | Taisen, Hannah Al-Kharusy | E Minor | 0 | 9A | 143 BPM | ||
| Miniature No.16 | Jef Martens | A Major | 1 | 11B | 142 BPM | ||
| And All At Once We Were Radiant | Keaton Henson | E♭ Minor | 1 | 2A | 68 BPM | ||
| Loose - Lambert Rework | Ed Carlsen, Lambert | D♭ Major | 0 | 3B | 160 BPM | ||
| Last Child in the Woods | Henrik Lindstrand | G Major | 1 | 9B | 67 BPM | ||
| Miniature No.14 | Jef Martens | D Major | 2 | 10B | 168 BPM | ||
| Gotteszell II | Oskar Schuster | E Minor | 0 | 9A | 143 BPM | ||
| Étude No. 1: Playing Games | Marie Awadis | A♭ Major | 0 | 4B | 55 BPM | ||
| Crepuscule with Holly | The Vernon Spring, Gwilym Gold | A♭ Major | 0 | 4B | 130 BPM | ||
| Cinder | Mina Björnsdóttir, Laurent Denis | E Minor | 0 | 9A | 143 BPM | ||
| Near and Far | Luke Howard | E Minor | 0 | 9A | 143 BPM | ||
| Starting all Over | Michael Geldreich | A Minor | 2 | 8A | 170 BPM | ||
| Everyday Life at 3440 Metres | Patrik Berg Almkvisth, LUCHS | B♭ Major | 0 | 6B | 125 BPM | ||
| Waltzing Because | Jef Martens | G Minor | 0 | 6A | 64 BPM | ||
| Florita | Omar Enfedaque | F♯ Major | 0 | 2B | 49 BPM | ||
| Land | Kosuke Anamizu, Moshimoss | D Minor | 1 | 7A | 124 BPM |