"Brick" by Steph Copeland had its release date on July 8, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Public Panic". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Canada. In terms of popularity, Brick is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Brick by Steph Copeland having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Here With Me (Two Worlds) | Susie Suh | E Major | 4 | 12B | 130 BPM | ||
| Fuel to Fire | Agnes Obel | A Minor | 2 | 8A | 129 BPM | ||
| It's a Long Way Down | Katie Garfield | A Minor | 5 | 8A | 107 BPM | ||
| No More Waiting | Onyay Pheori | G Minor | 2 | 6A | 100 BPM | ||
| Title Theme | Steph Copeland, Dr. Draw | B Minor | 3 | 10A | 84 BPM | ||
| Dark Runs Out | Amy Stroup | C Major | 3 | 8B | 150 BPM | ||
| Kith | Hilary Woods | G Minor | 2 | 6A | 183 BPM | ||
| The Light From One | Ane Brun | G Major | 2 | 9B | 86 BPM | ||
| From Here | Solvey | E Major | 5 | 12B | 84 BPM | ||
| Criminal | Éric Serra, Mitivaï Serra | A Minor | 4 | 8A | 71 BPM | ||
| Bite Marks | The Mistys | F♯ Major | 9 | 2B | 120 BPM | ||
| Heaven | Majical Cloudz | A♭ Major | 6 | 4B | 95 BPM | ||
| The Man in the Back | Steph Copeland | E Minor | 7 | 9A | 85 BPM | ||
| Who's Gonna Save You Now | D&RG | A Minor | 5 | 8A | 134 BPM | ||
| City of My Dreams | Mary Komasa | E Minor | 4 | 9A | 163 BPM | ||
| Getting over You | Robin Loxley, Huxley Ware | C Minor | 6 | 5A | 105 BPM | ||
| Hurt | of Verona | A♭ Minor | 3 | 1A | 170 BPM | ||
| Here Again: Die Toten vom Bodensee | Michael Kadelbach | E♭ Major | 3 | 5B | 98 BPM | ||
| The Maiden Heist | 9Pockets | E Minor | 4 | 9A | 135 BPM | ||
| Into the Night (Closing Credits) | Steph Copeland | A Minor | 6 | 8A | 97 BPM | ||
| Orange Tree | Hilary Woods | F♯ Major | 2 | 2B | 180 BPM | ||
| What Would You Call Yourself | Fink | A Major | 6 | 11B | 95 BPM | ||
| This Wild Darkness | Moby | G Major | 6 | 9B | 78 BPM | ||
| The Thrill Has Gone | Louise Dowd, Shelley Harland | B Minor | 6 | 10A | 118 BPM | ||
| Just a Wave - From the Original Motion Picture Soundtrack VESPER | Yorina | E Major | 6 | 12B | 129 BPM |