菊池ひみこ's ' "CALLING WAVES コーリング・ウェイブス" was released on its scheduled release date, 1982. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 1 out of 7 in All Right by 菊池ひみこ. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, CALLING WAVES コーリング・ウェイブス is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of CALLING WAVES コーリング・ウェイブス by 菊池ひみこ is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Omoe-de-Omoba | Minoru Mukaiya | G Major | 8 | 9B | 102 BPM | ||
| ファンキー・スタッフ | 稲垣次郎とソウル・メディア | G Major | 7 | 9B | 91 BPM | ||
| THE POLESTAR ザ・ポールスター | 菊池ひみこ | D Minor | 3 | 7A | 96 BPM | ||
| ALWAYS YOU | MALTA | B♭ Major | 1 | 6B | 129 BPM | ||
| Speak Low | Ryo Fukui, 福居良 | A♭ Major | 6 | 4B | 160 BPM | ||
| トゥー・フォー・テンサウザンド | Minoru Mukaiya | G Minor | 6 | 6A | 117 BPM | ||
| ジェンナリーノ | Chihiro Yamanaka | C Major | 5 | 8B | 106 BPM | ||
| Mirage | Shigeharu Mukai | D♭ Minor | 7 | 12A | 142 BPM | ||
| BLACK DUCK | Noriki | F♯ Major | 4 | 2B | 98 BPM | ||
| デザート・ライド | Sadao Watanabe | A♭ Minor | 5 | 1A | 143 BPM | ||
| マスカレード | セキトオ・シゲオ | F♯ Major | 2 | 2B | 110 BPM | ||
| Tequila Toast | Masaki Matsubara | B Minor | 6 | 10A | 201 BPM | ||
| ペインテッド・パラダイス | 稲垣次郎とソウル・メディア | A♭ Major | 6 | 4B | 104 BPM | ||
| Soyokaze Ni Nosete | Parachute | B Minor | 2 | 10A | 86 BPM | ||
| (Interlude) Are You Putting the Moves on Me? | PYRAMID | A♭ Minor | 5 | 1A | 112 BPM | ||
| GET YOUR KICKS | Calmera | G Major | 8 | 9B | 132 BPM | ||
| LEFT-HANDED WOMAN | Kenji Omura | D Major | 9 | 10B | 126 BPM | ||
| イッツ・インポッシブル | 稲垣次郎とソウル・メディア | B♭ Major | 7 | 6B | 135 BPM | ||
| ロンサム・キャット | Kazumi Watanabe | A Major | 7 | 11B | 110 BPM | ||
| Catch The Fact Outro | Quasimode | E♭ Minor | 9 | 2A | 110 BPM | ||
| Area Code 213 | Yuji Toriyama | G Major | 7 | 9B | 100 BPM | ||
| LOVELAND ISLAND | ビクター・ファンタスティック・オーケストラ | G Major | 7 | 9B | 130 BPM | ||
| TOKYO HARBOR LINE | Shigeru Suzuki | F Major | 8 | 7B | 129 BPM | ||
| COSMIC ORB | JIMSAKU | C Minor | 5 | 5A | 184 BPM | ||
| Paper Machine | 藤丸バンド, 芳野藤丸 | C Major | 9 | 8B | 126 BPM |