Traditional, Roderick Williams, William Vann's 'The Turtle Dove (Arr. R. Vaughan Williams for Voice & Piano)' had a release date set for April 22, 2022. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. The Turtle Dove (Arr. R. Vaughan Williams for Voice & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Ralph Vaughan Williams: Folk Songs, Vol. 4". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Turtle Dove (Arr. R. Vaughan Williams for Voice & Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Turtle Dove (Arr. R. Vaughan Williams for Voice & Piano) by Traditional, Roderick Williams, William Vann having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thirsty of Your Mercy | Kpakurukpa | D♭ Major | 0 | 3B | 78 BPM | ||
| Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
| Sing Gently | Eric Whitacre, Adrian Kirtley, 2021 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus [arr. For tenor, choir and chamber ensemble] | César Franck, Frieder Lang, Regula Schüpbach, Praxedis Hug-Rütti, Daniel Winiger, Zurich Boys Choir, Alphons von Aarburg | A Major | 1 | 11B | 66 BPM | ||
| The Blessing of Aaron | McFarland High School A Cappella Choir | D♭ Major | 1 | 3B | 85 BPM | ||
| Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | ||
| Wenn ich ein Glöcklein wär | Cantilon Chamber Choir | D Major | 0 | 10B | 81 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Valse romantique, from Harp Portrait Classics | Tobias Southcott | E♭ Major | 2 | 5B | 96 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 130 BPM | ||
| Mystic Reflections for Healing | Wonderworker, The Choir of Eparchy of Tripoli | A Minor | 4 | 8A | 106 BPM | ||
| Gloria in excelsis deo, RV 589 - Arr. for French Horn | Antonio Vivaldi, Felix Klieser, CHAARTS Chamber Artists | C Major | 3 | 8B | 133 BPM | ||
| Sancta Fides | Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest, Elaria, Schola Antiqua | B♭ Minor | 1 | 3A | 142 BPM | ||
| Rorate caeli desuper | Schola Antiqua, Schola Gregoriana Hispana | F♯ Major | 1 | 2B | 137 BPM | ||
| Rex Aeternae Gloriae | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Traditional, Anonymous, Choeur des moines de l'abbaye Notre Dame de Fontgombault | E Minor | 1 | 9A | 136 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 78 BPM | ||
| Footprints: I. The Tide | Will Todd, Christopher Finch, Wellensian Consort, Will Todd Ensemble | E Minor | 3 | 9A | 144 BPM | ||
| C'est par amour | Thibault Fromant, Ad Dei Gloriam | D Minor | 1 | 7A | 115 BPM | ||
| Hymen I | Magalí Sare, Cor Bruckner Barcelona | F♯ Minor | 0 | 11A | 88 BPM | ||
| Lullaby (Wiegenlied), Op. 49, No. 4 [Arr. Michael Leighton Jones] | Johannes Brahms, Michael Leighton Jones, Jonathan Bradley | E♭ Major | 2 | 5B | 128 BPM | ||
| Annunciation Peal Of Bells | Traditional, The Benedictine Nuns of Notre-Dame de l'Annonciation, Le Barroux, Claude Pateau | D Minor | 2 | 7A | 95 BPM |