"Sweet Revenge" by Ryuichi Sakamoto had its release date on September 27, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 坂本龍一 Pure Best, so we believe that "Sweet Revenge" is a single. Sweet Revenge is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sweet Revenge by Ryuichi Sakamoto is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fratres | Arvo Pärt, Gidon Kremer, Keith Jarrett | B♭ Major | 0 | 6B | 77 BPM | ||
| BWV 974 - II Adagio - Rework | Víkingur Ólafsson, Ryuichi Sakamoto | A Minor | 1 | 8A | 94 BPM | ||
| 風の道(Kaze no Michi) | Taeko Onuki, Ryuichi Sakamoto | D Minor | 0 | 7A | 132 BPM | ||
| Lack of Love | Ryuichi Sakamoto | E♭ Major | 0 | 5B | 132 BPM | ||
| Siisx | alva noto, Ryuichi Sakamoto | B♭ Minor | 3 | 3A | 100 BPM | ||
| Electric Counterpoint: II. Slow | Steve Reich, Mats Bergström | E Minor | 5 | 9A | 193 BPM | ||
| Marginalia #62 | Masakatsu Takagi | B♭ Major | 2 | 6B | 94 BPM | ||
| MISHIMA/Closing | Philip Glass, Kronos Quartet, Michael Riesman | C Minor | 1 | 5A | 142 BPM | ||
| 父 | Masakatsu Takagi | D♭ Major | 0 | 3B | 132 BPM | ||
| Echoes of an Empty Island | Edemai | D Minor | 0 | 7A | 142 BPM | ||
| The Tourist | Chilly Gonzales | B♭ Minor | 4 | 3A | 105 BPM | ||
| abyss | Fennesz, Ryuichi Sakamoto | G Major | 2 | 9B | 80 BPM | ||
| Music for 18 Musicians: Section I | Steve Reich | D Major | 3 | 10B | 102 BPM | ||
| Sanson Yojo | Marihiko Hara | B♭ Major | 0 | 6B | 81 BPM | ||
| Before Long | Ryuichi Sakamoto | C Major | 0 | 8B | 76 BPM | ||
| haru | Fennesz, Ryuichi Sakamoto | B♭ Minor | 1 | 3A | 72 BPM | ||
| 開花 | Marihiko Hara | A Major | 3 | 11B | 112 BPM | ||
| 水平線のむこうに | 中村 由利子 | F Major | 2 | 7B | 85 BPM | ||
| chanson | Ryuichi Sakamoto | E Major | 0 | 12B | 125 BPM | ||
| Seven Samurai - ending theme | Ryuichi Sakamoto, Jaques Morelenbaum, Judy Kang | G Minor | 0 | 6A | 73 BPM | ||
| Marginalia #59 | Masakatsu Takagi | A Major | 2 | 11B | 121 BPM | ||
| Uoon II | alva noto, Ryuichi Sakamoto | C Major | 0 | 8B | 70 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| 猫村さんのうた | 松重豊, U-zhaan, Ryuichi Sakamoto | F Major | 3 | 7B | 107 BPM | ||
| Marginalia #48 | Masakatsu Takagi | E Major | 0 | 12B | 65 BPM |