"Why Don't You Call Me" by James Blake had its release date on January 1, 2011. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in James Blake's "James Blake" album is number 9 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Why Don't You Call Me is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Why Don't You Call Me by James Blake to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| OMBD | Big Red Machine | B Minor | 7 | 10A | 142 BPM | ||
| Painted Blue | Jono McCleery | E Minor | 2 | 9A | 132 BPM | ||
| Olde Joy | Slauson Malone 1 | D♭ Major | 4 | 3B | 180 BPM | ||
| I Die Slow | Okay Kaya | F Major | 1 | 7B | 106 BPM | ||
| You Are Song | Angel Olsen | D Major | 1 | 10B | 154 BPM | ||
| A Rat's Nest | Thom Yorke | B♭ Minor | 10 | 3A | 144 BPM | ||
| Told to Be Fine | Efterklang | D♭ Major | 6 | 3B | 111 BPM | ||
| Slow Moves | José González | G Minor | 1 | 6A | 100 BPM | ||
| In The Flowers | Animal Collective | C Major | 8 | 8B | 111 BPM | ||
| Impersonator | Majical Cloudz | C Major | 3 | 8B | 101 BPM | ||
| He's Running Through My Eyes | Julia Holter | A♭ Minor | 1 | 1A | 120 BPM | ||
| All You Need Is A Wall | The Books | D♭ Major | 3 | 3B | 67 BPM | ||
| Answers Me | Arthur Russell | B♭ Minor | 2 | 3A | 101 BPM | ||
| Follow You Down To The Red Oak Tree | James Vincent McMorrow | E Minor | 3 | 9A | 103 BPM | ||
| Very Many | The Middle East | F Major | 3 | 7B | 119 BPM | ||
| Cadet Limbo | King Krule | E Major | 4 | 12B | 120 BPM | ||
| Alike | Efterklang | C Minor | 8 | 5A | 160 BPM | ||
| I'm Not Falling Asleep | Andy Shauf | F♯ Major | 2 | 2B | 103 BPM | ||
| Untrue | Burial | D Minor | 6 | 7A | 128 BPM | ||
| Look Me In The Eyes (feat. James Blake) | Rex Orange County, James Blake | B♭ Major | 1 | 6B | 121 BPM | ||
| The Build Up | Kings of Convenience, Feist | B Minor | 2 | 10A | 100 BPM | ||
| Take The Night Off | Laura Marling | C Major | 1 | 8B | 79 BPM | ||
| Hurt so Much | duendita | F Major | 0 | 7B | 75 BPM | ||
| Don't Miss It | James Blake | A Major | 3 | 11B | 141 BPM | ||
| Eyes Off You | Bombay Bicycle Club | D Minor | 2 | 7A | 105 BPM |