"A Spotless Rose" by Herbert Howells, Gabrieli, Paul McCreesh had its release date on August 14, 2004. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 13 in A Spotless Rose by Gabrieli, Paul McCreesh. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, A Spotless Rose is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Spotless Rose by Herbert Howells, Gabrieli, Paul McCreesh is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Bleak Midwinter | The Sixteen | G Major | 1 | 9B | 69 BPM | ||
| Messiah, HWV 56 / Pt. 1: "Glory to God in the Highest" | George Frideric Handel, Gabrieli, Paul McCreesh | D♭ Major | 1 | 3B | 120 BPM | ||
| Spem in Alium | Thomas Tallis, The Sixteen, Harry Christophers | D Major | 1 | 10B | 87 BPM | ||
| Stella Natalis: VI. Sleep, Child Of Winter | Karl Jenkins, Marylebone Camerata, The Adiemus Singers, Tenebrae, Alison Balsom, Zands Duggan, Jody K. Jenkins | D Major | 2 | 10B | 91 BPM | ||
| Tallis: Ave, Dei patris filia - 7. Ave, Virgo feta ut sol praeclara | Thomas Tallis, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 140 BPM | ||
| Stanford: Magnificat in G Major | Charles Villiers Stanford, Choir of King's College, Cambridge, James Vivian, Stephen Cleobury, Alastair Hussain | G Major | 1 | 9B | 73 BPM | ||
| What Cheer? | William Walton, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Coventry Carol (Arr. Martin Shaw) | Anonymous, Choir of The Queen's College, Oxford, Owen Rees | G Major | 0 | 9B | 137 BPM | ||
| Missa Assumpta est Maria: Gloria | Giovanni Pierluigi da Palestrina, The Sixteen | B♭ Major | 1 | 6B | 148 BPM | ||
| Away In A Manger | William J. Kirkpatrick, The Choir of Royal Holloway | F Major | 0 | 7B | 76 BPM | ||
| A Ceremony Of Carols, Op. 28: Balulalow | Benjamin Britten, Sioned Williams, Libby Crabtree, Harry Christophers | F♯ Minor | 0 | 11A | 81 BPM | ||
| Pärt: Magnificat | Arvo Pärt, Choir of King's College, Cambridge, Stephen Cleobury | F Minor | 0 | 4A | 78 BPM | ||
| Missa Assumpta est Maria: Kyrie | Giovanni Pierluigi da Palestrina, The Sixteen | B♭ Major | 1 | 6B | 81 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, VOCES8 | F Major | 0 | 7B | 62 BPM | ||
| The Lamb | The King's Singers | E Minor | 0 | 9A | 102 BPM | ||
| Tavener: Away in a Manger | John Tavener, Choir of King's College, Cambridge, Stephen Cleobury, Sebastian Johns | E♭ Major | 1 | 5B | 136 BPM | ||
| Oratorio de Noël, Op. 12: No. 3 Expectants expectavi Dominum | Camille Saint-Saëns, Gundula Schneider, Romano Giefer, Les Favorites, Holger Speck | A Minor | 2 | 8A | 83 BPM | ||
| Britten: A Ceremony of Carols, Op. 28: VIII. In Freezing Winter Night | Benjamin Britten, Choir of King's College, Cambridge, Sir David Willcocks, Osian Ellis | C Minor | 0 | 5A | 76 BPM | ||
| Welcome, All Wonders in One Sight! | Jonathan Dove, Choir of The Queen's College, Oxford, Owen Rees | E Minor | 1 | 9A | 130 BPM | ||
| True Light | Keith Hampton, Wolfram Tessmer, Avis Berry, Tanja Letz, Lara Hoggard, Herbert Howells, Stephen Paulus, Andre Thomas | C Major | 0 | 8B | 105 BPM | ||
| A Spotless Rose | Herbert Howells, Simon Birchall, Harry Christophers, The Sixteen | B Minor | 0 | 10A | 100 BPM | ||
| The Three Kings | Gerald Finley, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Sir Neville Marriner | B Minor | 1 | 10A | 86 BPM | ||
| View Me, Lord | Richard Lloyd, The Choir of Magdalen College, Oxford, Daniel Hyde | E Minor | 1 | 9A | 85 BPM | ||
| Anonymous: I Wonder As I Wander (Appalachian Traditional, arr. Andrew Carter) | John Jacob Niles, Choir of King's College, Cambridge, Philip Ledger | C Minor | 0 | 5A | 81 BPM | ||
| Sonata: Padouana a 5 - Banchetto musicale | Johann Hermann Schein, Gabrieli, Paul McCreesh | A Major | 0 | 11B | 71 BPM |