"Gawain, Act I (1994 Revised Version): Time Frozen. This Is the Moment That Waited for You [Live]" by Harrison Birtwistle, Marie Angel, Anne Howells, Orchestra Of The Royal Opera House, Omar Ebrahim, Elgar Howarth had its release date on August 5, 2014. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 15 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act I (1994 Revised Version): Time Frozen. This Is the Moment That Waited for You [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gawain, Act I (1994 Revised Version): Time Frozen. This Is the Moment That Waited for You [Live] by Harrison Birtwistle, Marie Angel, Anne Howells, Orchestra Of The Royal Opera House, Omar Ebrahim, Elgar Howarth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia Concertante, Op. 125: I. Andante | Sergei Prokofiev, The Pilsen Philharmonic Orchestra, Chuhei Iwasaki, Michał Balas | B Minor | 1 | 10A | 75 BPM | ||
| Symphony No. 3: II. Largo con espressione | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | B Minor | 1 | 10A | 75 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | B♭ Minor | 0 | 3A | 65 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Lamentate: Fragile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D Major | 1 | 10B | 126 BPM | ||
| Stabat Mater, FP 148: 8. Fac ut ardeat | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D♭ Major | 1 | 3B | 160 BPM | ||
| Four Walls Act 1 Scene II | John Cage, Margaret Leng Tan, Joan La Barbara | B Major | 9 | 1B | 134 BPM | ||
| Withering Hope | Orithia | E Major | 7 | 12B | 102 BPM | ||
| Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral | Benjamin Britten, Aldeburgh Strings, Markus Däunert, Richard Watkins, Allan Clayton | E♭ Minor | 0 | 2A | 130 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | B Minor | 1 | 10A | 75 BPM | ||
| The Soldier's Tale, Pt. 1: II. Music for Scene 1. Airs by a Stream | Igor Stravinsky, George Benjamin, Harrison Birtwistle, Dame Harriet Walter, Royal Academy of Music Manson Ensemble, Oliver Knussen | G Major | 1 | 9B | 95 BPM | ||
| Sinfonia: I. Sinfonia | Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices | D♭ Major | 1 | 3B | 74 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Alpensymphonie, Op.64: Nacht (I) | Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 73 BPM | ||
| Berceuse de Jeanne | Harrison Birtwistle, Nicolas Hodges, Claire Edwardes | B Minor | 1 | 10A | 75 BPM | ||
| Citrus Calm | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | B Minor | 1 | 10A | 75 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | B Minor | 1 | 10A | 75 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | B Minor | 1 | 10A | 75 BPM | ||
| the little match girl passion: when it is time for me to go | David Lang, Theatre Of Voices, Paul Hillier | F Minor | 0 | 4A | 78 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: II. Scherzo. Allegro molto | Erich Wolfgang Korngold, Calidore String Quartet | F Minor | 2 | 4A | 130 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | B Minor | 1 | 10A | 75 BPM | ||
| 12 Nocturnes: No. 10, 304 Sterne in einem kleinen Fenster | Bent Sørensen, Katrine Gislinge | F Minor | 2 | 4A | 130 BPM | ||
| Akhnaten, Act III Scene 1: The Family | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Anthony Roth Costanzo, J'nai Bridges, Lindsay Ohse, Karen Chia-Ling Ho, Chrystal E. Williams, Annie Rosen, Olivia Vote, Suzanne Hendrix, Metropolitan Opera Orchestra | C Major | 1 | 8B | 79 BPM |