Prelude and Tomorrow's Problem
Joe Hertenstein, Pascal Niggenkemper, Thomas Heberer
HNH
8:08 November 8, 2010
BPM
94
Key
C Major
Camelot
8B

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Prelude and Tomorrow's Problem by Joe Hertenstein, Pascal Niggenkemper, Thomas Heberer Song Details

Joe Hertenstein, Pascal Niggenkemper, Thomas Heberer's ' "Prelude and Tomorrow's Problem" was released on its scheduled release date, November 8, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joe Hertenstein, Pascal Niggenkemper, Thomas Heberer's "HNH" album is number 5 out of 7. In terms of popularity, Prelude and Tomorrow's Problem is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Prelude and Tomorrow's Problem by Joe Hertenstein, Pascal Niggenkemper, Thomas Heberer to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-14.732 dB
Acousticness
58%
Danceability
55%
Energy
22%
Instrumentalness
68%
Liveness
7%
Loudness
75%
Speechiness
7%
Valence
45%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records