Andrea Marr, Lloyd Spiegel's ' "He Only Rocks On Stage" was released on its scheduled release date, 2006. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Watch Me Work it by Andrea Marr. The song's track number on the album is #4 out of 10 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, He Only Rocks On Stage is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since He Only Rocks On Stage by Andrea Marr, Lloyd Spiegel has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With He Only Rocks On Stage being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunday | Jim-Bob Jay | G Major | 6 | 9B | 124 BPM | ||
| Hold on Tight | Harry Athanass | F Major | 7 | 7B | 138 BPM | ||
| Remember | Grazz | B Minor | 8 | 10A | 96 BPM | ||
| A Woman Or The Blues | Curtis Salgado | G Minor | 9 | 6A | 91 BPM | ||
| All the Way | Pops Conerly | B♭ Major | 4 | 6B | 96 BPM | ||
| Anvil Blues | Gabriele Scaratti | B♭ Major | 6 | 6B | 80 BPM | ||
| Mayor Town | Salazami | E Minor | 5 | 9A | 83 BPM | ||
| The Day It Comes | Deborah Coleman | D Major | 8 | 10B | 132 BPM | ||
| Stakes Have Gone Up | Sena Ehrhardt | C Major | 8 | 8B | 123 BPM | ||
| Feeling Blues | Yugen Maestro | E Minor | 3 | 9A | 90 BPM | ||
| Cry With Me | The McNaMarr Project, Andrea Marr, John McNamara, Lester Snell | C Major | 5 | 8B | 86 BPM | ||
| Blues Note Affair | Yugen Maestro | E Minor | 7 | 9A | 165 BPM | ||
| Nothing In Particular (Little Bit Of Everything) | Curtis Salgado | B Minor | 8 | 10A | 184 BPM | ||
| Time To Cry | Chris Cain | F Major | 9 | 7B | 92 BPM | ||
| Maudie | Doyle Bramhall | F♯ Minor | 6 | 11A | 119 BPM | ||
| Long Coal Train - Live | Big Head Todd and The Monsters | G Major | 9 | 9B | 158 BPM | ||
| Home Away From Home | Jay-Bee & The Ultratone All-Stars | F Major | 5 | 7B | 97 BPM | ||
| Burning Fire | Luvanio | A♭ Major | 3 | 4B | 124 BPM | ||
| Not Guilty | Compagniet | C Major | 6 | 8B | 126 BPM | ||
| Blues Pickin' | Harry Athanass | A Minor | 4 | 8A | 77 BPM | ||
| I Can Tell | BB & The Bullets | G Major | 7 | 9B | 125 BPM | ||
| Strike the Bells | Delta Generators | G Major | 7 | 9B | 105 BPM | ||
| You’re Killing My Love | Reese Wynans and Friends, Doyle Bramhall II, Josh Smith | B Major | 9 | 1B | 90 BPM | ||
| Troublemakers | The EvenTunes | C Major | 2 | 8B | 103 BPM | ||
| Good To Go | Jay-Bee & The Ultratone All-Stars | D Major | 5 | 10B | 102 BPM |