"Piano Trio, M. 67: I. Modéré" by Maurice Ravel, Beaux Arts Trio had its release date on January 1, 2006. This song appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Ravel: Piano Trio; Introduction & Allegro; String Quartet". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Piano Trio, M. 67: I. Modéré is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio, M. 67: I. Modéré by Maurice Ravel, Beaux Arts Trio having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Violin Sonata in D Minor, Op. 36: I. Allegretto | Gabriel Pierné, Maria Milstein, Nathalia Milstein | D♭ Major | 2 | 3B | 90 BPM | ||
| Suk: Serenade for Strings in E-Flat Major, Op. 6: IV. Allegro giocoso ma non troppo presto | Josef Suk, Christopher Warren-Green, Andrew Shulman, Lyn Fletcher, Roger Chase, Nigel Warren-Green, London Chamber Orchestra | B♭ Major | 2 | 6B | 106 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
| Clarinet Sonata, Fp 184: Romanza. Tres calme | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | G Minor | 0 | 6A | 103 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
| Piano Trio No.1 in B flat, Op.99 D.898: 1. Allegro moderato | Franz Schubert, Beaux Arts Trio | F Major | 1 | 7B | 82 BPM | ||
| Kyllikki - Three Lyrical Pieces for Piano, Op. 41: I. Largamente | Jean Sibelius, Leif Ove Andsnes | E♭ Minor | 1 | 2A | 133 BPM | ||
| Double Concerto in E Minor, Op. 88: I. Andante con Moto | Max Bruch, Copenhagen Phil, Vincenzo Milletarí, Giovanni Punzi, Eva Katrine Dalsgaard | D♭ Minor | 0 | 12A | 99 BPM | ||
| Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
| Dvořák: Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": VI. Lento maestoso - Vivace | Antonín Dvořák, Beaux Arts Trio | C Minor | 1 | 5A | 109 BPM | ||
| Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM | ||
| Capriccio for Solo Viola, Op. 55 | Henri Vieuxtemps, Antoine Tamestit | C Minor | 0 | 5A | 126 BPM | ||
| Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 82 BPM | ||
| 3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 61 BPM | ||
| Phantasy Quintet: I. Prelude: Lento ma non troppo | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | F♯ Minor | 0 | 11A | 172 BPM | ||
| Piano Trio No. 1 in D minor, Op. 32: 3. Elegia: Adagio | Anton Arensky, Beaux Arts Trio | D Major | 2 | 10B | 77 BPM | ||
| Lieux retrouvés: III. Les champs | Thomas Adès, Steven Isserlis | F♯ Major | 0 | 2B | 144 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| String Quartet No. 1 in A Major: II. Andante con moto | Alexander Borodin, Budapest Haydn Quartet | F♯ Minor | 1 | 11A | 88 BPM | ||
| Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Kloeckner | E♭ Major | 0 | 5B | 83 BPM | ||
| Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: IV. Finale (Allegro molto) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM |