C-C-B's ' "Born In The 60’s" was released on its scheduled release date, 1994. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 信じていれば-Plus, so we believe that "Born In The 60’s" is a single. Based on our statistics, Born In The 60’s's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Born In The 60’s by C-C-B is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 六本木心中 | Ann Lewis | D♭ Minor | 8 | 12A | 150 BPM | ||
| スーパーモンキー孫悟空 | Pink Lady | B Minor | 9 | 10A | 96 BPM | ||
| 南風 | Hiromi Ota | D♭ Major | 7 | 3B | 136 BPM | ||
| カメレオン・アーミー (2025 Remaster) | Pink Lady | A Minor | 8 | 8A | 146 BPM | ||
| 話しかけたかった | Yoko Minamino | A♭ Major | 7 | 4B | 130 BPM | ||
| SUMMER DREAM | TUBE | A Major | 3 | 11B | 203 BPM | ||
| ペガサスの朝 | Hiroaki Igarashi | D Minor | 6 | 7A | 124 BPM | ||
| チャンピオン | ALICE | B Minor | 8 | 10A | 159 BPM | ||
| 悲しみ2(too)ヤング - 2010 New Recording | Toshihiko Tahara | A♭ Major | 8 | 4B | 152 BPM | ||
| くるみ割り人形 | Hitomi Ishikawa | A Major | 6 | 11B | 140 BPM | ||
| まちぶせ | Hitomi Ishikawa | A Minor | 5 | 8A | 114 BPM | ||
| いい日 旅立ち | Momoe Yamaguchi | B♭ Minor | 5 | 3A | 102 BPM | ||
| マイ レディー | Hiromi Go | A Minor | 6 | 8A | 142 BPM | ||
| 虹とスニーカーの頃 | Tulip | A Minor | 7 | 8A | 144 BPM | ||
| 大きなお世話サマー | とんねるず | B♭ Minor | 5 | 3A | 120 BPM | ||
| フレンズ | REBECCA | G Major | 10 | 9B | 157 BPM | ||
| E気持 | Hiroyuki Okita | G Major | 8 | 9B | 154 BPM | ||
| 燃えろいい女(ultimate version) | Masanori Sera | A Major | 9 | 11B | 142 BPM | ||
| Love Balladeは歌えない | 清水宏次朗 | E Major | 9 | 12B | 115 BPM | ||
| I Love Youより愛してる | Ann Lewis | F Major | 4 | 7B | 144 BPM | ||
| 唇よ、熱く君を語れ | Machiko Watanabe | C Major | 6 | 8B | 132 BPM | ||
| 歌えなかったラヴ・ソング | Yuji Oda | A♭ Major | 7 | 4B | 113 BPM | ||
| 東京ららばい | Rie Nakahara | G Minor | 6 | 6A | 121 BPM | ||
| ト・レ・モ・ロ | Yoshie Kashiwabara | A Minor | 8 | 8A | 119 BPM | ||
| Cops And Robbers | Kahoru Kohiruimaki | D Minor | 9 | 7A | 150 BPM |