"So in Love" by Jimmy Riley had its release date on June 25, 2013. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 14 in Contradiction by Jimmy Riley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, So in Love's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of So in Love by Jimmy Riley is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Till I Kissed You | Jimmy London | E Major | 5 | 12B | 133 BPM | ||
| You Make Your Mistake | Carlton Livingston, Lone Ranger | C Major | 7 | 8B | 76 BPM | ||
| Don't Cut off Your Dreadlocks | Linval Thompson | D♭ Major | 4 | 3B | 142 BPM | ||
| Madness (Bonus Track) | The Maytones | F♯ Major | 4 | 2B | 79 BPM | ||
| African Tears | Peter Hunnigale | B♭ Minor | 7 | 3A | 87 BPM | ||
| Can't Walk Away | Beres Hammond | A Major | 7 | 11B | 158 BPM | ||
| Watch This Sound | Slim Smith | F♯ Major | 3 | 2B | 85 BPM | ||
| Bridge over Trouble Waters | Jimmy London | D Major | 6 | 10B | 135 BPM | ||
| Boxing Around | Cornell Campbell | D Major | 4 | 10B | 78 BPM | ||
| Let Them Say | Bob Andy | G Major | 3 | 9B | 77 BPM | ||
| Getting Cozy - Extended Mix | The In Crowd | C Major | 8 | 8B | 86 BPM | ||
| New Name | Ras Michael and The Sons Of Negus | D Major | 3 | 10B | 90 BPM | ||
| Nyah-Bingi - Extended Mix | Jimmy Riley | F♯ Minor | 6 | 11A | 118 BPM | ||
| Higher Meaning | Empress Shevah | D Major | 7 | 10B | 170 BPM | ||
| Su Su Pon Rasta | Naggo Morris | A♭ Major | 4 | 4B | 144 BPM | ||
| Forward On | I-Roy | D♭ Minor | 4 | 12A | 99 BPM | ||
| I Got To Be There (Roll Call) | Tenor Saw | G Major | 8 | 9B | 151 BPM | ||
| The Drifter | Dennis Walks | G Major | 7 | 9B | 74 BPM | ||
| Take It Slow | Roger Robin | B♭ Minor | 4 | 3A | 79 BPM | ||
| The Very Best | Intense | F♯ Minor | 6 | 11A | 142 BPM | ||
| Hot Stuff | I-Roy | G Major | 7 | 9B | 77 BPM | ||
| Whap'n Bap'n | I-Roy | F♯ Minor | 7 | 11A | 126 BPM | ||
| Entertainment | Triston Palma, Jah Thomas, Ranking Toyan | B♭ Major | 5 | 6B | 74 BPM | ||
| I Admire You | Larry Marshall | D♭ Major | 4 | 3B | 135 BPM | ||
| Old Broom | Wailing Souls | D Major | 4 | 10B | 146 BPM |