"Fac Ut Portem" by Andreas Scholl, Marco Rosano had its release date on December 17, 2010. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Fac Ut Portem's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 10 out of 13. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Fac Ut Portem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fac Ut Portem by Andreas Scholl, Marco Rosano to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem Aeternam | Jocelyn Pook | D♭ Major | 2 | 3B | 82 BPM | ||
| Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Furit grando procellosa" (Nathanael) | Johann Adolf Hasse, Thibault Noally, Les Accents, Jakub Józef Orliński | F♯ Minor | 2 | 11A | 135 BPM | ||
| Requiem (Electronic Version) | Marco Rosano, Andreas Scholl | B♭ Major | 2 | 6B | 60 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
| Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | E Minor | 0 | 9A | 138 BPM | ||
| Sam | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | ||
| Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
| La Giuditta: Dormi o fulmine | Alessandro Scarlatti, Filippo Mineccia, Nereydas, Javier Ulises Illán | B Minor | 7 | 10A | 154 BPM | ||
| Emily — No Prisoner Be: No. 18, So set its Sun in Thee | Kevin Puts, Time For Three, Joyce DiDonato | A Minor | 1 | 8A | 82 BPM | ||
| Requiem: Versa Est | Tomás Luis de Victoria, Armonico Consort, Christopher Monks | E Minor | 0 | 9A | 72 BPM | ||
| Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
| Le Badinage - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Jordi Savall | F Minor | 0 | 4A | 96 BPM | ||
| Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | ||
| Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
| Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
| Orlando furioso, RV 728 / Act 1: "Sol da te, mio dolce amore" | Antonio Vivaldi, Cecilia Bartoli, Jean-Marc Goujon, Ensemble Matheus, Jean-Christophe Spinosi | E Minor | 1 | 9A | 69 BPM | ||
| What Power Art Thou II | Martina Eisenreich, Andreas Scholl, B'Rock Orchestra | F♯ Minor | 2 | 11A | 94 BPM | ||
| The First Booke of Songes: No. 9, Go crystall teares | John Dowland, Andreas Scholl, Concerto di Viole, Julian Behr | A♭ Minor | 1 | 1A | 106 BPM | ||
| Pena tiranna | George Frideric Handel, Jakub Józef Orliński, Aleksander Debicz, Wojciech Gumiński, Marcin Ułanowski | E Minor | 5 | 9A | 137 BPM | ||
| Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
| Dixit Dominus, RV 595: Tecum principium: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Anita Krause, Peter Mahon, Nils Brown, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 118 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | ||
| Arpeggio in D Minor, AbelWV A1:26 | Carl Friedrich Abel, Anja Lechner | D Major | 0 | 10B | 112 BPM | ||
| Marazzoli / Arr. Pluhar: "Dal cielo cader vid'io due stelle" | Marco Marazzoli, Christina Pluhar, Jakub Józef Orliński | D Minor | 1 | 7A | 118 BPM |