Sam Welch's ' "Lift Every Voice" was released on its scheduled release date, December 12, 2005. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Unitarian Hymns". In this album, this song's track order is #6. Based on our statistics, Lift Every Voice's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lift Every Voice by Sam Welch having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Forest From The Tree | Robert Deeble | D Major | 3 | 10B | 146 BPM | ||
| Turn The Lights Down | Hello Clarice | G Major | 7 | 9B | 98 BPM | ||
| Finding Emptiness | Radianation | C Major | 6 | 8B | 135 BPM | ||
| Keep Walking | Second Set | G Major | 7 | 9B | 125 BPM | ||
| Real Life | Nathan Frank | G Minor | 8 | 6A | 166 BPM | ||
| Once Again | Cypress Key | C Major | 6 | 8B | 135 BPM | ||
| That Smile (no no song) | Randie O'Neil | D Major | 8 | 10B | 140 BPM | ||
| Slammin | Beyond Aram | C Major | 5 | 8B | 110 BPM | ||
| Coming Home | Darryl Scotti and Big Yard, Larry Antonino, Joey Gutos | A Minor | 7 | 8A | 134 BPM | ||
| Saturday Is Always Hard | The Intemperate Sons | B Major | 8 | 1B | 115 BPM | ||
| Everything We Ever Wanted | B-Ret | C Major | 8 | 8B | 124 BPM | ||
| Prepare To Be Transported | Sam Welch | F Major | 5 | 7B | 100 BPM | ||
| Seventeen | Alcotomic | G Major | 8 | 9B | 180 BPM | ||
| A Broken Radio | Credible Witness | A♭ Major | 9 | 4B | 165 BPM | ||
| Simple Living | Leddy Moss | D Major | 7 | 10B | 93 BPM | ||
| Back for Closure | LITO | B♭ Major | 8 | 6B | 120 BPM | ||
| Another Day | Sam Welch | C Major | 3 | 8B | 118 BPM | ||
| Pretty Sure | J-Mikes and the Well | B Minor | 7 | 10A | 98 BPM | ||
| Wurlitzer Machine | Davie Simmons | E Minor | 6 | 9A | 136 BPM | ||
| It's Okay | V. Brown | C Major | 6 | 8B | 135 BPM | ||
| Changes | Zabriskie | G Major | 7 | 9B | 180 BPM | ||
| First World Blues | Cul De Sac Kings | C Major | 8 | 8B | 118 BPM | ||
| Shuddering | Hot for Crime | C Major | 6 | 8B | 135 BPM | ||
| Wolf & The Dog | Jen Lush | G Major | 4 | 9B | 76 BPM | ||
| Slither 2.1 | William Anderson | D Major | 8 | 10B | 209 BPM |