- BPM
- 121
- Key
- F Minor
- Camelot
- 4A
Stabat Mater (excerpt) - Alternate Version by The London Metropolitan Ensemble Song Details
"Stabat Mater (excerpt) - Alternate Version" by The London Metropolitan Ensemble had its release date on November 23, 1999. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Stabat Mater (excerpt) - Alternate Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Talented Mr. Ripley - Music from The Motion Picture". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, Stabat Mater (excerpt) - Alternate Version's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Stabat Mater (excerpt) - Alternate Version by The London Metropolitan Ensemble having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 35%
- Loudness
- -18.365 dB
- Acousticness
- 92%
- Danceability
- 25%
- Energy
- 8%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Delibes: The Flower Duet (from Lakmé) | All Angels | B Major | 3 | 1B | 115 BPM | |
 | Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | |
 | 'Revez, Mes Anges’ | David Buckley | C Minor | 2 | 5A | 132 BPM | |
 | Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | |
 | Stabat mater: VII. And The Mother Did Weep | Karl Jenkins, Belinda Sykes, EMO Ensemble, Jody K. Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Ian Tracey, Pasi Hyökki | E Major | 2 | 12B | 137 BPM | |
 | The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | |
 | Requiem in D minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, BBC Singers, London Mozart Players, Jane Glover | F Major | 6 | 7B | 100 BPM | |
 | Handel / Orch Orfeo 55: Alcina, HWV 34, Act 2: "Ah, mio cor, schernito sei " (Alcina) [Orch. Orfeo 55] | George Frideric Handel, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 2 | 11A | 60 BPM | |
 | Pensando a Bellini | Paolo Buonvino, Rossella Ruini | A Minor | 2 | 8A | 82 BPM | |
 | Agnus Dei, Adagio Op. 11 | Samuel Barber, Accentus, Laurence Equilbey | B♭ Minor | 1 | 3A | 74 BPM | |
 | Frances | John Barry | C Major | 0 | 8B | 83 BPM | |
 | King Arthur, or The British Worthy (1691) / Act 3: What Power art thou? | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Major | 1 | 1B | 95 BPM | |
 | Hungry Hearts | Nicola Piovani | G Major | 1 | 9B | 79 BPM | |
 | Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | |
 | Gnossiennes No. 1 - Arr. David le Page | Orchestra of the Swan | F Minor | 0 | 4A | 137 BPM | |
 | A Retreat | Academy of St. Martin in the Fields, Gabriel Yared | E Minor | 0 | 9A | 62 BPM | |
 | 7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | |
 | Freddy Not Happy | Chris Benstead | F Major | 1 | 7B | 109 BPM | |
 | Eli's Theme | Johan Söderqvist | F Minor | 2 | 4A | 76 BPM | |
 | Rochester's Farewell | Michael Nyman, Michael Nyman Orchestra | F Major | 1 | 7B | 172 BPM | |
 | Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | |
 | Waltz | Balanescu Quartet | D Major | 2 | 10B | 145 BPM | |
 | La wally - Remastered | Vladimir Cosma, Wilhelmenia Fernandez, London Symphony Orchestra | E Major | 3 | 12B | 83 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM |
- ISRC
- USSM19923616
- Label
- L-M Records/RCA Records