"Back for More" by Akiyuki Morimoto had its release date on February 1, 2017. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 81 in the song's album "RESIDENT EVIL 7 biohazard Original Soundtrack". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Japan. In terms of popularity, Back for More is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Back for More by Akiyuki Morimoto having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| River Chase | Benjamin Wallfisch | A Major | 3 | 11B | 84 BPM | ||
| Toward the Dark Cellar | Dahlia's Tear | E Major | 2 | 12B | 80 BPM | ||
| Intro | Artur Kordas | F♯ Major | 2 | 2B | 106 BPM | ||
| Derry History | Benjamin Wallfisch | B♭ Minor | 0 | 3A | 101 BPM | ||
| Witch comes through | joseph bishara | D♭ Major | 4 | 3B | 87 BPM | ||
| Burden of Skeletons | Tom Salta | C Major | 0 | 8B | 82 BPM | ||
| BIOHAZARD | Noah Ashwood | D♭ Major | 3 | 3B | 170 BPM | ||
| 零下 ~セレルカ~ | Akiyuki Morimoto | C Minor | 6 | 5A | 120 BPM | ||
| Calm Before the Storm | Akiyuki Morimoto | A♭ Major | 0 | 4B | 77 BPM | ||
| Deviled Eggs | Danny Elfman | D Major | 1 | 10B | 137 BPM | ||
| Haunting Music | Horror Nightmare | F Major | 3 | 7B | 80 BPM | ||
| The Beast | The Flight, Christian Henson | D♭ Major | 1 | 3B | 82 BPM | ||
| Clocking In | Hugo Long | E Minor | 2 | 9A | 130 BPM | ||
| Surgeon Torture | Samuel Laflamme | D♭ Major | 4 | 3B | 143 BPM | ||
| San Christobal | The Flight, Christian Henson | C Major | 2 | 8B | 142 BPM | ||
| Garage | Miwako Chinone | D♭ Major | 5 | 3B | 120 BPM | ||
| The Call of Cthulhu, Chapter 1 | Graham Plowman | E♭ Major | 3 | 5B | 96 BPM | ||
| The Sleep of Reason Produces Monsters | Desiderii Marginis | D Major | 1 | 10B | 68 BPM | ||
| The Shadow over Innsmouth | Graham Plowman | G Minor | 1 | 6A | 74 BPM | ||
| Portal to the Past | Inon Zur, Fallout | G Major | 1 | 9B | 83 BPM | ||
| The Lightless abyss of the Netherdeep | MAB Music TTRPG | G Minor | 0 | 6A | 78 BPM | ||
| A Bad Feeling | Shusaku Uchiyama | B Major | 9 | 1B | 120 BPM | ||
| Inescrutable | Begoña A. Carrasco | A Minor | 3 | 8A | 80 BPM | ||
| Creeping Mist | Ambient Realms | D♭ Major | 4 | 3B | 65 BPM | ||
| To Hell with This | Lovett | D♭ Major | 4 | 3B | 166 BPM |