"Suite No. 1 for Cello & Guitar: III. Romantico" by Raffaele Bellafronte, Duo Escualo had its release date on January 16, 2026. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Fuga dal tempo by Duo Escualo. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Suite No. 1 for Cello & Guitar: III. Romantico is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 1 for Cello & Guitar: III. Romantico by Raffaele Bellafronte, Duo Escualo is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Transc. Cáceres for Two Guitars) | Claude Debussy, Turibio Santos, Oscar Caceres | D Minor | 1 | 7A | 74 BPM | ||
| 12 Album Leaves, Op. 51: No. 4 in F Minor. Andante con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | D♭ Major | 1 | 3B | 80 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | D Minor | 1 | 7A | 74 BPM | ||
| 3 Songs, Op. 7, No. 1. Après un rêve: 3 Songs, Op. 7: No. 1, Après un rêve (Arr. For cello and piano) | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | A♭ Major | 1 | 4B | 91 BPM | ||
| Méditation Hébraïque | Ernest Bloch, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | F Major | 1 | 7B | 99 BPM | ||
| Agape - Two Cellos at Dusk with Electronics | Fulvia Mancini, Mr & Mrs Cello | G Minor | 3 | 6A | 108 BPM | ||
| Gymnopédie No. 1 (Arr. C. Thomas for Cello and Piano) | Erik Satie, Camille Thomas, Julien Brocal | D Minor | 1 | 7A | 74 BPM | ||
| 「白雪姫」Ⅴ.愛のファーストキス | 五十嵐紅トリオ | A♭ Major | 2 | 4B | 73 BPM | ||
| Mumuki | Yo-Yo Ma, Horacio Malvicino, Gerardo Gandini, Antonio Agri, Hector Console, Néstor Marconi | C Major | 2 | 8B | 77 BPM | ||
| Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 2, Elegy | Frederick Delius, Gerald Peregrine, Antony Ingham | D Major | 0 | 10B | 171 BPM | ||
| Cello Suite in G Major, Op. 131c, No. 1: I. Prelude | Max Reger, Guido Schiefen | G Major | 1 | 9B | 74 BPM | ||
| Oasi alla mente | Raffaele Bellafronte, Francesco D'Orazio, Vito Paternoster, Adriano Paolini, Dante Milozzi | A Major | 3 | 11B | 67 BPM | ||
| Liederbuch, Vol. 2 (Arr. for Double Bass and Piano by Lorraine Campet): No. 5, Wie glänzt so hell dein Auge | Josephine Lang, Lorraine Campet, Nathanaël Gouin | E Major | 0 | 12B | 69 BPM | ||
| Violin Sonata in A Major, FWV 8 (Arr. for Cello and Piano by Jules Delsart): I. Allegro ben moderato | César Franck, Lidy Blijdorp, Tobias Borsboom | D Minor | 1 | 7A | 74 BPM | ||
| Sonata in G Major, Kk. 91: III. Grave | Domenico Scarlatti, Pizzicar Galante, Anna Schivazappa | D♭ Minor | 2 | 12A | 97 BPM | ||
| Suite Pour Violoncelle Seul N°3 En Ut Majeur BWV 1009 : Prélude - Remasterisé En 1987 | Paul Tortelier | D Major | 0 | 10B | 97 BPM | ||
| Hombre y guitarra - Canción de cuna | Kaare Norge | D Major | 0 | 10B | 79 BPM | ||
| Rosamunde, D. 797: 3b. Romanze. Der Vollmond strahlt auf Bergeshöh’n (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | E Major | 0 | 12B | 85 BPM | ||
| Suite No.1 in D Minor: IV. Tango | Raffaele Bellafronte, David e Mia | D Minor | 2 | 7A | 149 BPM | ||
| Eccles: Sonata in G Minor: III. Adagio | Mark Morton | G Minor | 0 | 6A | 140 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| Piano Trio No. 3 in F Minor, Op. 65, B. 130: III. Poco adagio | Antonín Dvořák, Trio 258 | D Minor | 1 | 7A | 74 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Jewish Life: No. 1 Prayer | Ernest Bloch, Jan Vogler, Helmut Branny | F Minor | 1 | 4A | 166 BPM | ||
| Il labirinto dell'anima: III. Misterioso, danzando, incantato, finale | Raffaele Bellafronte, Nicola Mazzanti, Vienna Concert Society, Dirk Vermeulen | D Minor | 3 | 7A | 150 BPM |