"Del cabello mas sutil" by Fernando Obradors, Ruth Ann Swenson had its release date on January 1, 1996. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruth Ann Swenson's "I Carry Your Heart" album is number 14 out of 20. On top of that, United States appears to be the country where this track was created. Del cabello mas sutil is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Del cabello mas sutil by Fernando Obradors, Ruth Ann Swenson to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave María, Pietro Mascagni | Gemma Román | F Major | 2 | 7B | 92 BPM | ||
| Purcell: I Attempt from Love's Sickness to Fly | Henry Purcell, Dawn Upshaw | A♭ Major | 0 | 4B | 110 BPM | ||
| Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
| Les nuits d'été, H. 81b: Villanelle, H. 82b | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B♭ Major | 0 | 6B | 129 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | F Major | 2 | 7B | 92 BPM | ||
| Aria: Traurigkeit | Wolfgang Amadeus Mozart, Ruth Ann Swenson, Orchestra of the Age of Enlightenment, John Toll, Susan Sheppard, Elizabeth Kenny, Hancock William Carter, Sir Charles Mackerras | D Major | 1 | 10B | 89 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| Puccini: La Bohème, Act 2: "Quando men vo" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Leontina Vaduva, Roberto Alagna, Ruth Ann Swenson, Samuel Ramey, Simon Keenlyside, Thomas Hampson, Philharmonia Orchestra | C Minor | 1 | 5A | 79 BPM | ||
| V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
| Canciones clasicas espagnolas - Recueil IV: II. El molondron | Fernando Obradors, Corinne Sertillanges, Daniel Benzakoun | G Major | 0 | 9B | 82 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Welsh National Opera Orchestra, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
| Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
| Canciones clasicas espagnolas - Recueil II: I. La mi sola, Laureola | Fernando Obradors, Corinne Sertillanges, Daniel Benzakoun | D Minor | 2 | 7A | 131 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | F Major | 2 | 7B | 92 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Les contes d'Hoffmann: The Doll's Song | Jacques Offenbach, Tracy Dahl, Calgary Philharmonic Orchestra, Mario Bernardi | A♭ Major | 0 | 4B | 134 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 108 BPM | ||
| Silent Noon | Ralph Vaughan Williams, Kitty Whately, Joseph Middleton | E♭ Major | 0 | 5B | 68 BPM | ||
| Don Giovanni, K. 527, Act II: No. 16, Deh vieni alla finestra - Live at Royal Festival Hall, London, 1996 | Wolfgang Amadeus Mozart, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | C Major | 0 | 8B | 126 BPM | ||
| 5 Lieder, Op. 105: No. 1, Wie Melodien zieht es mir | Johannes Brahms, Diana Damrau, Helmut Deutsch | C Major | 0 | 8B | 109 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM |