"Closeness" by The Best Pessimist had its release date on January 27, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in The Best Pessimist's "Love Is..." album is number 2 out of 9. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, Closeness is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Closeness by The Best Pessimist to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nights of Wonder | I Am No Hero | A Minor | 4 | 8A | 106 BPM | ||
| We Always Think There Is Going to Be More Time... - Audiotree Live Version | The End Of The Ocean, Audiotree | D Major | 7 | 10B | 170 BPM | ||
| Sapatha | Aesthesys | B Minor | 6 | 10A | 110 BPM | ||
| Those Days Are Gone | Sleep Maps | B Minor | 3 | 10A | 122 BPM | ||
| In Tenebris | I Hear Sirens | B Minor | 4 | 10A | 120 BPM | ||
| Intro | There's A Light | A Minor | 1 | 8A | 77 BPM | ||
| The Encounter Against the Moonlight | Those Who Ride With Giants | A Minor | 4 | 8A | 97 BPM | ||
| Valdeka | Audrey Fall | B♭ Minor | 5 | 3A | 150 BPM | ||
| Dream Odyssey | MONO | F Major | 5 | 7B | 61 BPM | ||
| Drifting in Hyperspace | Dan Caine, Musicformessier, Cousin Silas | F♯ Minor | 2 | 11A | 120 BPM | ||
| Sleeping Beauty Syndrome | April Rain | G Minor | 5 | 6A | 117 BPM | ||
| Sure! Looks Real | Leech | A♭ Minor | 8 | 1A | 124 BPM | ||
| What the Heart Craves For | Collapse Under The Empire | C Major | 2 | 8B | 101 BPM | ||
| Night Without Name | Carved Into the Sun | D Minor | 6 | 7A | 114 BPM | ||
| homesick | The End Of The Ocean | B Major | 4 | 1B | 105 BPM | ||
| Blind them with science | Jakob | E Minor | 9 | 9A | 132 BPM | ||
| What Words Can't Say | the abyss inside us | A Minor | 3 | 8A | 140 BPM | ||
| They Speak With Knives | If These Trees Could Talk | C Major | 7 | 8B | 105 BPM | ||
| The Dreams That Have Faded | Laconicmind | F♯ Major | 6 | 2B | 135 BPM | ||
| Mutatis | Blueneck | C Minor | 3 | 5A | 140 BPM | ||
| Ghost Track | Daturah | A Minor | 6 | 8A | 102 BPM | ||
| redemption | The End Of The Ocean | E Major | 5 | 12B | 75 BPM | ||
| Left to Rust and Rot | If These Trees Could Talk | E Minor | 7 | 9A | 140 BPM | ||
| Breaking The Waves | Sleep Dealer | C Minor | 3 | 5A | 100 BPM | ||
| The Most Cold Winter | The Best Pessimist | A Minor | 6 | 8A | 84 BPM |