Bo Diddley's ' "The Clock Strikes Twelve" was released on its scheduled release date, July 1, 1959. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. The Clock Strikes Twelve's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bo Diddley's "Go Bo Diddley" album is number 12 out of 12. On top of that, United States appears to be the country where this track was created. The Clock Strikes Twelve is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Clock Strikes Twelve by Bo Diddley to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| So Mamy Roads, So Many Trains | Otis Rush | D♭ Minor | 8 | 12A | 115 BPM | ||
| Wham! | Lonnie Mack | F Major | 9 | 7B | 98 BPM | ||
| Jump for Joy | Big Joe Turner | A♭ Major | 8 | 4B | 93 BPM | ||
| I'm Branded | Link Wray | F Major | 6 | 7B | 93 BPM | ||
| Baby, What You Want Me To Do | Jimmy Reed | A Major | 4 | 11B | 95 BPM | ||
| Forty Days And Forty Nights | Muddy Waters | D Major | 4 | 10B | 89 BPM | ||
| Ocean Of Tears | Big Maybelle | G Minor | 3 | 6A | 203 BPM | ||
| Sugar Sweet | Sonny Boy Williamson II | E Minor | 5 | 9A | 105 BPM | ||
| All Your Love | Magic Sam | B Major | 7 | 1B | 81 BPM | ||
| I Hear You Knockin' | Lazy Lester | C Major | 9 | 8B | 128 BPM | ||
| Deed And Deed I Do | Bo Diddley | F Major | 6 | 7B | 97 BPM | ||
| Ball the Wall | Professor Longhair | C Major | 5 | 8B | 99 BPM | ||
| Tornado | Dale Hawkins | B Major | 8 | 1B | 172 BPM | ||
| Everybody's Whalin' | Huey "Piano" Smith | B♭ Major | 9 | 6B | 90 BPM | ||
| Dynaflow Blues | The Johnny Shines Blues Band | C Major | 4 | 8B | 110 BPM | ||
| Double Crossing Blues | The Robins | B♭ Major | 2 | 6B | 74 BPM | ||
| Blues Never Die | Koko Taylor | E Major | 4 | 12B | 207 BPM | ||
| It's Too Late Brother | Little Walter | F Major | 4 | 7B | 174 BPM | ||
| She Left Me a Mule to Ride | Big Joe Williams | G Major | 5 | 9B | 129 BPM | ||
| Ramble | Link Wray & The Wraymen | E Major | 5 | 12B | 122 BPM | ||
| Don't Start Crying Now | Slim Harpo | F Major | 6 | 7B | 93 BPM | ||
| End Of The Blues | Earl Hooker | D Minor | 4 | 7A | 114 BPM | ||
| Back Beat No. 1 | The Rondels | C Major | 9 | 8B | 116 BPM | ||
| Roll 'Em Pete | Big Joe Turner | G Minor | 4 | 6A | 95 BPM | ||
| No More Doggin' | Rosco Gordon | A♭ Major | 5 | 4B | 104 BPM |