"Kuthe Paath Phirwun" by Rajashree Pathak had its release date on April 22, 2014. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rahul Ranade, Ajit Sameer's "Kaksparsh (Original Motion Picture Soundtrack)" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Kuthe Paath Phirwun is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Kuthe Paath Phirwun by Rajashree Pathak to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Manojavam Marutatulya | Play Devotional | A Major | 3 | 11B | 98 BPM | ||
| Tujhe Dakya Karu | Baba Maharaj Satarkar | B♭ Major | 7 | 6B | 75 BPM | ||
| Narayani Stuti | Paramita Mallick | F♯ Major | 4 | 2B | 134 BPM | ||
| Ja Bairi Ja Badara | Rajashree Pathak | D♭ Major | 2 | 3B | 142 BPM | ||
| Shri Swami Samartha Ashtak | Meher Paralikar, Abhijit Bartakke | B♭ Minor | 4 | 3A | 118 BPM | ||
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM | ||
| Jai Jai Ramkrushna Hari | Kashirambuva Indolikar, Digambar Kute | E♭ Minor | 5 | 2A | 87 BPM | ||
| Pasaaydaan - From "Sant Dnyaneshwaranchi Muktaai" | Bela Shende, Avadhoot Gandhi, Devdutta Manisha Baji, Santsreshtha Shree Dnyaneshwar Maharaj | C Major | 2 | 8B | 87 BPM | ||
| Tujhe Prem Majhya | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Takav Takav Zindagi Majhi - From "Ghoda" | Vinit Deshpande, Adarsh Shinde | D♭ Major | 8 | 3B | 100 BPM | ||
| Ya Kundendu | Eshwar Pandit, Sneha Suresh, Ankita Joshi | C Major | 1 | 8B | 139 BPM | ||
| Gangech Yamune Chaiva | Vidhi Sharma | A♭ Major | 1 | 4B | 102 BPM | ||
| Shiv Raksha Stotra | Play Devotional | E♭ Major | 1 | 5B | 93 BPM | ||
| Vidyapati Geet | Priya Mallick | D Major | 3 | 10B | 130 BPM | ||
| Mian Ki Malhar | Rajashree Pathak | C Minor | 3 | 5A | 134 BPM | ||
| Kedarnath Aarti | Supriya Joshi | E♭ Major | 6 | 5B | 125 BPM | ||
| Dev Devharyat Nahi | Saee Tembhekar | F Major | 1 | 7B | 111 BPM | ||
| Ghumer Bood | Bombay Jayashri | A♭ Major | 0 | 4B | 111 BPM | ||
| Mauli tu Vitthala | Avadhoot Gandhi | B♭ Major | 4 | 6B | 130 BPM | ||
| Shree Swami Samarth Mantra | Shreejeet Gaikwad | D Major | 2 | 10B | 70 BPM | ||
| Buddhi Heena | Gayathri Girish, Team | F♯ Major | 4 | 2B | 105 BPM | ||
| Brahma Jnanavali Mala | Jaya Vidyasagar | B♭ Major | 2 | 6B | 145 BPM | ||
| Enek Mein Dekh | Ashok Patki, Sanjiv Chimalgi, Devaki Pandit | D Major | 4 | 10B | 125 BPM | ||
| Narsimha Aarti | Aaradhakananda, Bhakti Marga Music | F♯ Minor | 7 | 11A | 125 BPM | ||
| Sanjeevan Samadhi Sohala Abhang - From "Sant Dnyaneshwaranchi Muktaai" | Suvarna Rathod, Nandesh Umap, Nidhi Hegde, Raghunandan Panshikar, Ajay Purkar | G Major | 5 | 9B | 91 BPM |