On June 25, 2011, the song "Naalia Otha Bala" was released by Narendra Kumar. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 13 out of 28 in Chakranayan by Narendra Kumar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Naalia Otha Bala's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Naalia Otha Bala by Narendra Kumar is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ranka Pasara Manika Hira | Ira Mohanty | G Major | 8 | 9B | 83 BPM | ||
| Babu I Love You | Sanghamitra Jena, Mohammed Aziz | B♭ Minor | 9 | 3A | 80 BPM | ||
| Aja Thau Thau | Bhikhari Bala | F Major | 5 | 7B | 139 BPM | ||
| Dhanamali Re | Anasuya Nath | G Major | 7 | 9B | 81 BPM | ||
| Jhale Bheemrao Muknayak | Anand Shinde | E Major | 6 | 12B | 79 BPM | ||
| Paha Manjula Majhya Bhimrayacha Mala | Vitthal Umap | B Minor | 6 | 10A | 83 BPM | ||
| Vakun Taak Sada | Anand Shinde | B Minor | 5 | 10A | 111 BPM | ||
| Aahe Chakaakhi | Pankaj Jal | C Major | 6 | 8B | 156 BPM | ||
| Pidha Pakei | Namita Agarwal | B Minor | 6 | 10A | 179 BPM | ||
| Meelichi Re Meelichi | Anuradha Paudwal | A♭ Minor | 7 | 1A | 82 BPM | ||
| Mausi Kahe Pua | Subas Das | A♭ Major | 8 | 4B | 143 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | B♭ Minor | 6 | 3A | 122 BPM | ||
| Mala Baai Jayachn Mathura Bazara | Milind Shinde | A Minor | 5 | 8A | 104 BPM | ||
| Aruna Stambhare | Subas Das | G Major | 8 | 9B | 119 BPM | ||
| Dosto Ise Zamane Ko Kya Ho Gaya | Radhe Shyam Rasiya, Priyanka | A♭ Minor | 5 | 1A | 144 BPM | ||
| Abadha Muthie | Basanta Patra | D♭ Minor | 9 | 12A | 118 BPM | ||
| Deva Tujhya Muralichya Payi | Surykant Shinde | E♭ Minor | 9 | 2A | 97 BPM | ||
| Kaaliya Re Mana Boli Tora | Narendra Kumar | G Minor | 8 | 6A | 137 BPM | ||
| Banamali He | Dukhishyam Tripathy | D♭ Major | 8 | 3B | 115 BPM | ||
| Adma Ga Purala Pahu Balu Ga Mamala | Vijay Sartape | F♯ Major | 7 | 2B | 202 BPM | ||
| Sadhaba Bohute Pari | Babul Supriyo | B♭ Minor | 7 | 3A | 140 BPM | ||
| Sakhi Lo Thare Pachari | Bhikhari Bala | F♯ Major | 8 | 2B | 111 BPM | ||
| Dahi Dudh Khauni Math Fodito | Vaishali Samant | A♭ Minor | 5 | 1A | 154 BPM | ||
| Aei Mora Sesa Gita | Babul Supriyo | C Minor | 6 | 5A | 126 BPM | ||
| Maangi Pyar Maiya Tohse | Pawan Singh | A♭ Minor | 7 | 1A | 150 BPM |