"Mrs. Hubbard" by Patrick Doyle had its release date on November 3, 2017. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Patrick Doyle's "Murder on the Orient Express (Original Motion Picture Soundtrack)" album is number 11 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, Mrs. Hubbard is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mrs. Hubbard by Patrick Doyle to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les tourments | Philippe Rombi | D♭ Major | 2 | 3B | 70 BPM | ||
| Marlo and Ray | Nathan Barr | D Minor | 0 | 7A | 73 BPM | ||
| Touch Nothing Else | Patrick Doyle | G Major | 2 | 9B | 95 BPM | ||
| Double-Dipping | Nathan Johnson | A♭ Major | 1 | 4B | 124 BPM | ||
| Mercury | Edmund Percival Montfort | E♭ Minor | 2 | 2A | 100 BPM | ||
| Flying Visit | R.Kuhn, Rüdiger Edgar Kuhn | E Major | 2 | 12B | 88 BPM | ||
| Clean Your Desk | Ilan Eshkeri | D Minor | 2 | 7A | 99 BPM | ||
| Paris | Philippe Rombi | F Minor | 0 | 4A | 62 BPM | ||
| The Limehouse Puzzle | Daniel Pemberton | A Major | 1 | 11B | 64 BPM | ||
| Oxfords, Not Rogues | Matthew Margeson, Dominic Lewis | F Major | 2 | 7B | 79 BPM | ||
| Poor Lil' Bunny Rabbit (The Last Day of Bunny Folger) | Siddhartha Khosla | D Major | 4 | 10B | 140 BPM | ||
| Green Shoots | Rael Jones, Anthony Weeden | E Minor | 0 | 9A | 54 BPM | ||
| Attentäter | Henry Jackman, Dominic Lewis | D Major | 3 | 10B | 100 BPM | ||
| Gates of Tomorrow | Abel Korzeniowski | F♯ Major | 3 | 2B | 83 BPM | ||
| Separations | Roque Baños | F Minor | 0 | 4A | 67 BPM | ||
| Journey to the Mountains | Barnaby Taylor | B Minor | 3 | 10A | 72 BPM | ||
| Common Red Fox | Abel Korzeniowski | A Minor | 1 | 8A | 135 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| The Wailing Wall | Patrick Doyle | F Major | 4 | 7B | 132 BPM | ||
| White Pine Bay | Chris Bacon | G Minor | 0 | 6A | 66 BPM | ||
| Summer Investigation | Howard Shore | A Minor | 3 | 8A | 120 BPM | ||
| ...Surprise | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 88 BPM | ||
| Visitation | Carter Burwell | G Minor | 2 | 6A | 74 BPM | ||
| All F*cked Up! | Danny Elfman | A Minor | 1 | 8A | 119 BPM | ||
| Bunker Bust | John Ottman | C Major | 1 | 8B | 100 BPM |