Ray Brown's 'The Good Life' had a release date set for September 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 9 in Don't Get Sassy by Ray Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Good Life's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Good Life by Ray Brown is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mean To Me | Barney Kessel, Ray Brown, Shelly Manne | F Major | 1 | 7B | 95 BPM | ||
| Sweet As Bear Meat | Johnny Hodges | F Major | 1 | 7B | 91 BPM | ||
| It's a Pity to Say Goodnight | Oscar Moore | D♭ Major | 1 | 3B | 136 BPM | ||
| 'Round Midnight | Wes Montgomery Trio | E♭ Minor | 1 | 2A | 118 BPM | ||
| That's for Sure | Billy Taylor | D♭ Major | 4 | 3B | 144 BPM | ||
| Steve Allen Theme | Bud Shank, Bob Cooper | B♭ Minor | 2 | 3A | 90 BPM | ||
| Jambangle | Gil Evans | C Major | 2 | 8B | 79 BPM | ||
| Warm Valley | Johnny Hodges | F Major | 2 | 7B | 93 BPM | ||
| Strollin' | Emily Remler | B♭ Minor | 2 | 3A | 134 BPM | ||
| Don't Get Sassy | Ray Brown | C Minor | 5 | 5A | 146 BPM | ||
| Satin Doll - Take 7 | Wes Montgomery Trio | C Major | 1 | 8B | 65 BPM | ||
| Angie | Kenny Drew | F Major | 1 | 7B | 63 BPM | ||
| Give Me Something | Marc Hemmeler, Ray Brown | G Major | 2 | 9B | 131 BPM | ||
| Warm Night | Mose Allison | G Major | 1 | 9B | 76 BPM | ||
| Embraceable You | Barry Harris Trio | F Major | 2 | 7B | 75 BPM | ||
| Dreamsville | Mulgrew Miller | B Minor | 2 | 10A | 80 BPM | ||
| My Ideal | Kenny Dorham | E Minor | 1 | 9A | 65 BPM | ||
| The Nearness Of You - Instrumental | George Van Eps, Howard Alden | F Minor | 1 | 4A | 75 BPM | ||
| Blues Changes | Ray Bryant Trio | A♭ Major | 2 | 4B | 113 BPM | ||
| Bag's Groove | Oscar Peterson Trio | C Major | 0 | 8B | 103 BPM | ||
| You Can Depend On Me | Earl Hines | F Minor | 4 | 4A | 93 BPM | ||
| Thou Swell | Hampton Hawes | F Major | 2 | 7B | 81 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| Polka Dots And Moonbeams | Kenny Drew | F Major | 1 | 7B | 76 BPM | ||
| Gotta Dance | Jimmy Giuffre | A♭ Minor | 0 | 1A | 90 BPM |