On November 24, 2009, the song "Pipalpate" was released by Shantiram Rai, Jasodha Subba. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 7 in Aaja by Aakash Rai, Jasodha Subba. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Pipalpate is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Pipalpate by Shantiram Rai, Jasodha Subba is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaisa Kuisu | Manasi Debbarma, Goutam Debbarma, Biswanath Debbarma | G Major | 4 | 9B | 80 BPM | ||
| Aankhale Matra | Rajesh Payal Rai, Anju Panta | E Major | 4 | 12B | 96 BPM | ||
| Bhagawan Jeevan Nau | Bhakta Raj Acharya | A♭ Major | 6 | 4B | 87 BPM | ||
| O Nokha O Nobar | Biswanath Debbarma, Barsha Debbarma | D♭ Major | 9 | 3B | 195 BPM | ||
| Nwngle Ano | Biswanath Debbarma, Sourabhee Debbarma | D Minor | 6 | 7A | 89 BPM | ||
| Ran Tharaka | Nihal Gamhewa, Chandana Liyanarachchi | F Minor | 7 | 4A | 164 BPM | ||
| Meri Aama | Uday Sotang, Manila Sotang | F Major | 4 | 7B | 89 BPM | ||
| Timile Birseni | Ganesh Rasik, Shambhu Rai | G Minor | 6 | 6A | 134 BPM | ||
| Mohani Bhaka | Shambhu Rai, UshaKiran Adhikari, Shantiram Rai | G Major | 6 | 9B | 199 BPM | ||
| Hai Hai Hai Khal Kete Kumir | Udit Narayan, Priya Bhattacharya | C Major | 8 | 8B | 94 BPM | ||
| Menam Ajona No | Tarulata Kutum, Chandra Kr. Patgiri | F♯ Major | 7 | 2B | 174 BPM | ||
| Ke Maya Garnu Hunna Ra | Hemant Sharma | G Major | 6 | 9B | 140 BPM | ||
| Ishshor Allah Bidhata | Monir Khan, Kanak Chapa | C Major | 9 | 8B | 109 BPM | ||
| Ne Ghangni | Maha Dev, Purnima | A Major | 7 | 11B | 92 BPM | ||
| Tumi Hajar Fuler Majhe | Andrew Kishore, Kanak Chapa | G Major | 6 | 9B | 95 BPM | ||
| Sasidi Methepjak Khano | Sourabhee Debbarma, Sarat Reang | C Major | 7 | 8B | 126 BPM | ||
| Made Mankho | Manasi Debbarma | E Major | 7 | 12B | 84 BPM | ||
| Kalaa Ah Mihiyy | Ali Rameez, Fathimath Zoona | D♭ Minor | 4 | 12A | 111 BPM | ||
| Sirma Sirfula | Munal Film Pvt. Ltd. | F Minor | 9 | 4A | 80 BPM | ||
| Dukedi Handumata | Sarath Dasanayake, T M Jayarathne, A. P. Sheela | A♭ Major | 6 | 4B | 93 BPM | ||
| Kaha Paryo | Balanda Rai, Shantiram Rai, Parbati Rai, Sarala Rai | G Major | 6 | 9B | 112 BPM | ||
| O Samti | Bikram, Chandan | A♭ Major | 8 | 4B | 188 BPM | ||
| Pareli Ma Aai | Kavita Krishnamurthy | G Major | 6 | 9B | 86 BPM | ||
| Kinu Jogor Logalu - Studio | Kumar Bhabesh | D Minor | 7 | 7A | 165 BPM | ||
| Phoolai Fulyo | Shambhu Rai | G Minor | 6 | 6A | 134 BPM |