Mohammed Rafi, Anuradha Paudwal's ' "Mathe Ki Bindiya Bole, Pt. 2" was released on its scheduled release date, December 31, 1978. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Bappi Lahiri's "Lahu Ke Do Rang (Original Motion Picture Soundtrack)" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Mathe Ki Bindiya Bole, Pt. 2 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mathe Ki Bindiya Bole, Pt. 2 by Mohammed Rafi, Anuradha Paudwal to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maine Pyar Kar Liya - Jhankar | Udit Narayan, Alka Yagnik | A Major | 9 | 11B | 149 BPM | ||
| Mere Hatheele Shyam - Bhajan | Pankaj Mullick | G Major | 3 | 9B | 117 BPM | ||
| Mera Kunwara Padosi | Amit Kumar, Kavita Krishnamurthy, Laxmikant–Pyarelal | G Minor | 6 | 6A | 126 BPM | ||
| Jeena Nahi | Amit Kumar, Anuradha Paudwal | B♭ Minor | 6 | 3A | 103 BPM | ||
| Man Mein Uthe Uchhale | Snehprabha Pradhan, Hameeda Bano | D♭ Major | 3 | 3B | 73 BPM | ||
| Kar Gaya Kanha Milan Ka Vada | Aarti Mukherji | B♭ Minor | 5 | 3A | 79 BPM | ||
| Bheegi Palken Utha Meri Jaan | Lata Mangeshkar, Mohammed Rafi | A♭ Major | 5 | 4B | 106 BPM | ||
| Samne Aaj Donon Jahan Ke Aa | Suman Kalyanpur, Mohammed Rafi, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 202 BPM | ||
| Dil Ne Chaha Hai Kya | Kavita Krishnamurthy | E♭ Major | 8 | 5B | 140 BPM | ||
| Ham Ishq Ke Maaron Ka | Suraiya | A♭ Major | 3 | 4B | 98 BPM | ||
| Ek Taraf Hai Apni Yari | Ashok Khare | E Major | 3 | 12B | 54 BPM | ||
| Ae Dil Dekhe Hai Humne | Mukesh | F♯ Minor | 7 | 11A | 89 BPM | ||
| Ae Zindagi Ka Rahi | Talat Mahmood, S. D. Burman | B Minor | 1 | 10A | 177 BPM | ||
| Woh Jab Yaad Aaye - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mohammed Rafi | A♭ Minor | 10 | 1A | 143 BPM | ||
| Pasina Pasina | Mohammed Rafi | G Major | 2 | 9B | 92 BPM | ||
| Sau Saal Tak Rahe Yeh Zamana | Shabbir Kumar | D Major | 6 | 10B | 98 BPM | ||
| Jagdambike Jai Jai Jag Janani - Durga Stuti | Hari Om Sharan | E Major | 5 | 12B | 111 BPM | ||
| Jhir Jhir Badarwa Barse | Lata Mangeshkar, Hemant Kumar, Shailendra | A♭ Major | 4 | 4B | 130 BPM | ||
| Awaaz Humari | Kavita Krishnamurthy, Anuradha Paudwal | E Minor | 8 | 9A | 121 BPM | ||
| Is Mele Mein Log Aate Hain | Anuradha Paudwal, Jolly Mukherjee | E Minor | 6 | 9A | 179 BPM | ||
| Rimjhim Rimjhim Tan Pe Mere Pani | Anuradha Paudwal | D Minor | 6 | 7A | 168 BPM | ||
| Ruke Na Jo Jhuke Na Jo | Mahendra Kapoor, Kalyanji-Anandji | D♭ Minor | 7 | 12A | 110 BPM | ||
| Saqiya Hosh Kahan Tha | Jagjit Singh | B Major | 5 | 1B | 85 BPM | ||
| Jo Mere Dil Mein Hai | Anuradha Paudwal | F Minor | 6 | 4A | 177 BPM | ||
| Beech Bhanwar Mein | Suraiya | C Major | 5 | 8B | 137 BPM |