"Altos Y Bajos" by Maria Rivas had its release date on 1994. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maria Rivas's "Mapale" album is number 13 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Altos Y Bajos's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Altos Y Bajos by Maria Rivas to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Curruchá | Jesús Sevillano | F♯ Major | 9 | 2B | 113 BPM | ||
| Campesina | María Teresa Chacín, Juan Vicente Torrealba | C Minor | 4 | 5A | 148 BPM | ||
| La Lengua | Gema y Pável | C Minor | 8 | 5A | 95 BPM | ||
| Jugando Estoy | Fernando & Juan Carlos | C Minor | 5 | 5A | 130 BPM | ||
| Easter Morning (Calipso) | Serenata Guayanesa | D Major | 5 | 10B | 110 BPM | ||
| Ay Mi Chinita | Gran Coquivacoa | B Major | 8 | 1B | 117 BPM | ||
| Melody II | The Same People | E Minor | 9 | 9A | 140 BPM | ||
| A Margarita | Los Master's | E Minor | 6 | 9A | 112 BPM | ||
| Dimensión Latina: Ronald Borjas, Beet Acosta, Óscar Arriagada (Mix En Vivo) | Free Cover Venezuela, Beet Acosta, Oscar Arriaga | F Minor | 9 | 4A | 102 BPM | ||
| Motivos | La Rondalla Venezolana | C Major | 2 | 8B | 103 BPM | ||
| Que Culpa Tengo Yo | A. Rodriguez, Albita | D Major | 6 | 10B | 101 BPM | ||
| Para Volver a Comenzar | Voz Veis | B Major | 5 | 1B | 102 BPM | ||
| Guayana Es | Convenezuela | C Major | 9 | 8B | 130 BPM | ||
| De Rumba en Chirimena | Tambor Urbano | A♭ Minor | 7 | 1A | 150 BPM | ||
| Sólo Le Pido a Dios | Eva Cortés | D Minor | 6 | 7A | 176 BPM | ||
| El Tamarindo | Ensamble Gurrufío | A♭ Major | 6 | 4B | 192 BPM | ||
| El Padre Antonio Y Su Monaguillo Andres | Rubén Blades | A Major | 5 | 11B | 106 BPM | ||
| Viajera del Rio | La Rondalla Venezolana, Francisco Pacheco | C Major | 4 | 8B | 100 BPM | ||
| La Carta | Gualberto Ibarreto | A♭ Major | 7 | 4B | 153 BPM | ||
| La Conchita | Tambor Urbano | G Major | 10 | 9B | 103 BPM | ||
| De Vuelta Al Barrio | ChiChi Peralta | A Major | 9 | 11B | 110 BPM | ||
| Barlovento / San Juan / Gavilán | Tambor Urbano | D♭ Major | 7 | 3B | 153 BPM | ||
| Montilla | LIlia Vera | D♭ Major | 7 | 3B | 125 BPM | ||
| Hasta Cuando | Maria Rivas | B Minor | 3 | 10A | 156 BPM | ||
| Como un Día Domingo | Antonietta | G Major | 3 | 9B | 143 BPM |