On December 13, 2024, the song ""This spy better be worth all this bullshit!"" was released by Joris de Man. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joris de Man's "Killzone (Original Game Soundtrack)" album is number 11 out of 40. On top of that, United States appears to be the country where this track was created. Based on our statistics, "This spy better be worth all this bullshit!"'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of "This spy better be worth all this bullshit!" by Joris de Man to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Once In Rome | Damjan Mravunac | D Major | 4 | 10B | 83 BPM | ||
| The Healing | Bear McCreary | D Minor | 1 | 7A | 80 BPM | ||
| Atlantis of the Sands | Greg Edmonson | D Major | 5 | 10B | 141 BPM | ||
| Dusking Sky Pt. 1 | Philip Wareborn | D Minor | 1 | 7A | 75 BPM | ||
| Aloy's Journey (feat. Julie Elven) - Part 3 - Onwards to Meridian | Joris de Man, Julie Elven | D Major | 4 | 10B | 150 BPM | ||
| Restless as the Weald | Joris de Man | F Major | 3 | 7B | 68 BPM | ||
| Dusk Of A Northern Kingdom | Adam Skorupa | C Major | 1 | 8B | 141 BPM | ||
| Flamerock Refuge - Tiny Tina's Assault on Dragon Keep | Raison Varner | E Minor | 3 | 9A | 105 BPM | ||
| Resilience to Rise (feat. Julie Elven & Melissa R. Kaplan) | Oleksa Lozowchuk, Julie Elven, Melissa R. Kaplan | B Minor | 1 | 10A | 83 BPM | ||
| Driftwood | Borislav Slavov | A Minor | 1 | 8A | 110 BPM | ||
| The Tale of Clan Sakai | Chad Cannon, Bill Hemstapat | G Minor | 1 | 6A | 79 BPM | ||
| Beyond the Dawn | Motoi Sakuraba, テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | G Minor | 1 | 6A | 73 BPM | ||
| I'm Sorry | Cris Velasco, Sascha Dikiciyan | F Minor | 4 | 4A | 147 BPM | ||
| Mountain Shrine | Theophany, ROZEN, Emiko Sarasawati Susilo, Dewa Ayu Larassanti | G Major | 0 | 9B | 67 BPM | ||
| Trapped Spirit | Theophany | C Minor | 6 | 5A | 120 BPM | ||
| Yearning for Moonshadow | Brad Derrick | F Major | 1 | 7B | 85 BPM | ||
| Debris | Berlinist | D Minor | 0 | 7A | 140 BPM | ||
| The Jungle Provides | Maclaine Diemer | E♭ Major | 5 | 5B | 69 BPM | ||
| Reaper of Souls | Derek Duke, Diablo, Blizzard Entertainment | E Minor | 4 | 9A | 87 BPM | ||
| Crash Landing | Finishing Move Inc. | D♭ Major | 5 | 3B | 172 BPM | ||
| Solace Beneath the Stars | Oleksa Lozowchuk | D♭ Minor | 3 | 12A | 83 BPM | ||
| Overture: Lore | SIE Sound Team, Takeshi Furukawa | G Major | 1 | 9B | 68 BPM | ||
| First Steps | Frida Johansson, Henrik Oja | E Minor | 4 | 9A | 105 BPM | ||
| By Choice, by Fate (feat. Julie Elven) | Oleksa Lozowchuk, Julie Elven | D♭ Minor | 3 | 12A | 83 BPM | ||
| Blue Mountains - Edit Version | Adam Skorupa, Krzysztof Wierzynkiewicz | F♯ Major | 3 | 2B | 85 BPM |