"ふるさと" by 藤原義江 had its release date on October 14, 2009. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. ふるさと's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ノイズレスSPアーカイヴズ 鉾をおさめて/藤原義江〈日本歌曲編〉, so we believe that "ふるさと" is a single. ふるさと is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ふるさと by 藤原義江 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El chocolate | María Conesa | F♯ Major | 1 | 2B | 68 BPM | ||
| トライ・トゥ・リメンバー | Fubuki Koshiji | D♭ Major | 1 | 3B | 105 BPM | ||
| Verdi: La traviata, Act 1: Brindisi. "Libiamo ne'lieti calici" (Alfredo, Violetta, Coro) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica di Torino della RAI | B♭ Major | 2 | 6B | 195 BPM | ||
| 蘇州夜曲 | 霧島 昇, 松原 操 | G Minor | 3 | 6A | 88 BPM | ||
| いとしあの星 | 渡辺はま子 | F Minor | 4 | 4A | 110 BPM | ||
| Veillons au Salut de l'Empire | Napoleon Bonaparte | B♭ Major | 4 | 6B | 98 BPM | ||
| Notes | Yoshiko Nishijima, Daisuke Yanase, Minako Akimoto, Andrew Lloyd Webber, Kazuyo Kawai, Morimasa Sagawa, Gekidan Shiki Long-Run Cast, Kiyotaka Imai, Akira Aoyama | D Minor | 3 | 7A | 84 BPM | ||
| Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | N/A | N/A | N/A | 0 BPM | ||
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
| На сопках Маньчжурии ΙΙ | Ivan Kozlovsky | D♭ Minor | 1 | 12A | 87 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| 信田の薮 | 藤原義江 | A Minor | 0 | 8A | 78 BPM | ||
| Madre Qué Tiene la Jota / No Tengas Miedo Mañica - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 79 BPM | ||
| 3 Old Viennese Dances: Liebesleid | Fritz Kreisler, Victor Symphony Orchestra, Charles O'Connell | F Major | 3 | 7B | 104 BPM | ||
| 荒城の月(フォックストロット) | 藤原義江 | C Minor | 2 | 5A | 71 BPM | ||
| Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
| Cholito Toca y Retoca - Remastered | Luisa de Córdoba, Daniel Montorio | A♭ Major | 5 | 4B | 194 BPM | ||
| Audi Deus (salmo 60) | Orfeón de Miravalles | B♭ Major | 4 | 6B | 203 BPM | ||
| ヒットメドレー:知りたくないの~今日でお別れ~忘れな草をあなたに | Youichi Sugawara | A♭ Minor | 6 | 1A | 78 BPM | ||
| The Rowan Tree | Kenneth McKellar | F♯ Major | 1 | 2B | 139 BPM | ||
| 心のバンドネオン | 藤原義江 | E Minor | 1 | 9A | 115 BPM | ||
| Can't Help Lovin' Dat Man - From the Musical ''Show Boat'' | Helen Morgan | D Major | 1 | 10B | 46 BPM | ||
| Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM | ||
| La Rosa del Azafrán: "Moniquito, Carmelo y secundarios" | Coros Cantores De Madrid, Gerardo Monreal | F Major | 4 | 7B | 126 BPM | ||
| Partant pour la Syrie | Musique des équipages de la flotte de Toulon | B♭ Major | 1 | 6B | 121 BPM |