John Bull, John Mayall & The Bluesbreakers's ' "God Save The Queen - Live" was released on its scheduled release date, January 1, 2007. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. God Save The Queen - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in Diary Of A Band Vol 1 & 2 by John Mayall & The Bluesbreakers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, God Save The Queen - Live's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of God Save The Queen - Live by John Bull, John Mayall & The Bluesbreakers is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonates pour le violoncelle avec la basse continue, livre II, sonate No. 2: I. Adagio | Jean Barrière, Bruno Cocset, Les Basses Réunies, Guido Balestracci | F Minor | 1 | 4A | 73 BPM | ||
| Sonata in E Major, K.380 | Domenico Scarlatti, Trevor Pinnock | B♭ Major | 4 | 6B | 82 BPM | ||
| Concerto grosso No. 5 in D Minor: III. Andante moderato (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 107 BPM | ||
| King Arthur, Z. 628: How blest are shepherds | Henry Purcell, John Dryden, Petter Udland Johansen, Die Freitagsakademie, Katharina Suske | F♯ Major | 1 | 2B | 111 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: I. Un poco allegro | Johann Friedrich Fasch, Il Gardellino | F♯ Major | 0 | 2B | 127 BPM | ||
| Missa Sancti Hieronymi, MH 254: III. Gloria: No. 2, Quoniam tu solus Sanctus | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | E Minor | 3 | 9A | 104 BPM | ||
| Sonata In C Major, RV 779: Largo e cantabile | Gail Hennessy & Nicholas Parle | A♭ Minor | 0 | 1A | 80 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| Virginal Book: In Nomine: XII. | John Bull, Jovanka Marville | B♭ Minor | 3 | 3A | 94 BPM | ||
| Concert No. 18 for 2 Violas "Les bateries": I. Les bateries | Monsieur de Sainte-Colombe, Paolo Biordi, Francesco Tomei | G Major | 8 | 9B | 150 BPM | ||
| Fantasia, FVB 38 | John Bull, Maud Gratton | B Minor | 1 | 10A | 114 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 7 | Domenico Scarlatti, Scott Ross | F♯ Major | 5 | 2B | 109 BPM | ||
| La Couperin: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 120 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: I. Avec douceur | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 112 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| Haydn, M: Divertimento in E-Flat Major, MH 9: I. Adagio con variazioni | Michael Haydn, Rodney Slatford, Kenneth Heath, Stephen Shingles | D Major | 1 | 10B | 108 BPM | ||
| Credo, ZWV 32: I. Credo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | D♭ Minor | 3 | 12A | 110 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
| Violin Sonata, Op. 5, No. 9: Allegro | Jean Baptiste Senaillé, Tianwa Yang, Markus Hadulla | F Major | 1 | 7B | 97 BPM | ||
| Flute Sonata No. 2 in G Major, F. 59: I. Allegro ma non troppo | Wilhelm Friedemann Bach, Eleonora Bišćević, Manuel Granatiero | D♭ Major | 2 | 3B | 76 BPM | ||
| Composizioni per Organo e Cembalo: Intonazione cromatica del terzo tono | Tarquinio Merula, Bernard Foccroulle | E♭ Minor | 1 | 2A | 90 BPM | ||
| Galuppi: Concerto a quattro No. 1 in G Minor: I. Grave e adagio | Baldassare Galuppi, Quartetto Italiano | B♭ Major | 2 | 6B | 92 BPM | ||
| Fugue in Gm (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | D♭ Major | 2 | 3B | 76 BPM |