Lata Mangeshkar, Laxmikant–Pyarelal's ' "Parda Rukh-E Roshan Se Hata Do" was released on its scheduled release date, January 1, 1972. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Laxmikant–Pyarelal's "Gora Aur Kala" album is number 4 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Parda Rukh-E Roshan Se Hata Do's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Parda Rukh-E Roshan Se Hata Do by Lata Mangeshkar, Laxmikant–Pyarelal to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Loote Koi Man Ka Nagar | Lata Mangeshkar, Manhar Udhas, S. D. Burman | G Major | 6 | 9B | 133 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Rahen Na Rahen | Lata Mangeshkar | C Major | 3 | 8B | 107 BPM | ||
| Jhuki Jhuki Si Nazar | Jagjit Singh | A Minor | 3 | 8A | 95 BPM | ||
| Chura Liya Hai Tumne Jo Dil Ko - Revival | Asha Bhosle, Mohammed Rafi | G Major | 4 | 9B | 80 BPM | ||
| Woh Paas Rahe Ya Door | Suraiya | D♭ Major | 3 | 3B | 122 BPM | ||
| Tum Ko Dekha To Yeh Khayal Aaya | Jagjit Singh, Chitra Singh | D Major | 3 | 10B | 91 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Na Kajare Ki Dhar (From "Mohra") | Sadhana Sargam, Pankaj Udhas | C Minor | 7 | 5A | 145 BPM | ||
| Tujh Sang Preet | Kishore Kumar, Lata Mangeshkar | G Major | 5 | 9B | 90 BPM | ||
| Hum To Bhai Jaise Hain | Madan Mohan, Lata Mangeshkar, Javed Akhtar | G Minor | 8 | 6A | 98 BPM | ||
| Faza Bhi Hai Jawan - Pt. 1 and Ii | Salma Agha | B♭ Major | 4 | 6B | 146 BPM | ||
| AAJKAL PAON ZAAMIN PAR NAHIN PADTE | Lata Mangeshkar | D♭ Major | 4 | 3B | 108 BPM | ||
| Tadap Tadap (From "Hum Dil De Chuke Sanam") | KK, Dominique | A♭ Major | 3 | 4B | 76 BPM | ||
| Haathon Ki Chand Lakeeron Ka | Suresh Wadkar, Anwar Hussain, Kalyanji-Anandji | D Major | 7 | 10B | 87 BPM | ||
| Ek Ajnabee Haseena Se | Kishore Kumar, R. D. Burman | F♯ Major | 6 | 2B | 97 BPM | ||
| Honthon Mein Aisi Baat(Jewel Thife) | Charanjit Singh | A Major | 5 | 11B | 111 BPM | ||
| Dialogues And Na Koi Umang Hai And Dialogues | Asha Parekh, Lata Mangeshkar, R. D. Burman | E♭ Minor | 7 | 2A | 158 BPM | ||
| Mana Ho Tum Behad Haseen | K. J. Yesudas | B Minor | 4 | 10A | 106 BPM | ||
| Tu Jo Mere Sur Men Sur Milaye | K. J. Yesudas, Hemlata | C Major | 4 | 8B | 103 BPM | ||
| Tadbeer Se Bigdi Huyi Taqdeer | Geeta Dutt | A♭ Minor | 3 | 1A | 123 BPM | ||
| Tum Pukar Lo Tumhara Intezar Hai | Hemant Kumar | E Minor | 4 | 9A | 115 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Zid Na Karo Ab To Ruko - Male Vocals | K. J. Yesudas | D Major | 5 | 10B | 90 BPM | ||
| Ehsan Tera Hoga Mujh Par - Lata Mangeshkar | Lata Mangeshkar | E Major | 2 | 12B | 176 BPM |