Rainee Blake's ' "Alone" was released on its scheduled release date, June 17, 2022. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Alone and no other songs are present in the album, we classify this track as a single. Based on our statistics, Alone's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Alone by Rainee Blake is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's Gonna Be Alright | Acantha Lang | F Minor | 8 | 4A | 168 BPM | ||
| Home | Violet Crime | D♭ Major | 5 | 3B | 97 BPM | ||
| Charley | Aubrey Haddard | F♯ Minor | 6 | 11A | 171 BPM | ||
| How Did I Get Here? | LaRose Jackson | D♭ Major | 9 | 3B | 89 BPM | ||
| Make Me | Marissa Zechinato, Chris Aschman | D Major | 4 | 10B | 140 BPM | ||
| New York Times | Renée Gros | C Major | 5 | 8B | 91 BPM | ||
| Sinister | Mallory Merk | A Minor | 7 | 8A | 102 BPM | ||
| Play Pretend | Ali Angel | E♭ Major | 9 | 5B | 177 BPM | ||
| Neighborhood | Evangeline | B Minor | 6 | 10A | 142 BPM | ||
| Don't Bite Off More Than You Can Chew | RW's Music For Midnight | F Minor | 5 | 4A | 102 BPM | ||
| You Know Better | WILSN | A Minor | 9 | 8A | 205 BPM | ||
| Too Late | Deltaphonic | B Major | 7 | 1B | 176 BPM | ||
| Howling | James Chatburn | F Minor | 2 | 4A | 67 BPM | ||
| Letting Go | Hollyy | B♭ Major | 6 | 6B | 93 BPM | ||
| Meditations on Mother Earth | Market East | F Minor | 5 | 4A | 102 BPM | ||
| Nothing Can Tear Us Apart | Das Sound Kollektiv, Ntjam Rosie | D♭ Major | 3 | 3B | 100 BPM | ||
| In Contemplation of Clair’s Scent - Edit | Terence Etc. | F Minor | 1 | 4A | 130 BPM | ||
| Old Lady | Kenny Sharp | F Minor | 5 | 4A | 102 BPM | ||
| Pieces Of Us | Family Company, Sam Pounds | G Major | 5 | 9B | 111 BPM | ||
| I Will Be There for You | The 7:45s, Martin Connor, Nicole Battick | F Minor | 5 | 4A | 102 BPM | ||
| Neon Tears | 1950s+00 | F Minor | 5 | 4A | 102 BPM | ||
| Teeth | Forrest Mortifee, Teddy Roxpin, Ricky Bakken, Smile High | B♭ Minor | 4 | 3A | 78 BPM | ||
| On My Own | Vianne | F Minor | 5 | 4A | 102 BPM | ||
| Rains in the Summer | Cody Matlock | F♯ Minor | 9 | 11A | 150 BPM | ||
| Let's Be Alone Together | The Slim Kings | D Major | 6 | 10B | 102 BPM |