Ananthkumar's ' "Agnani Emi Erugu" was released on its scheduled release date, April 12, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ananthkumar, Chalapathi's "Kaivara Sadguruni Thatva Kusumanjali" album is number 6 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Agnani Emi Erugu is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Agnani Emi Erugu by Ananthkumar to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muduki Aadiyalla | Gururaj Hosakote | F Minor | 6 | 4A | 113 BPM | ||
| Saraswathy Gayatri | Bombay Saradha | A♭ Major | 6 | 4B | 150 BPM | ||
| Swamy Naamava Smariso | Puttur Narasimha Nayak | A Major | 6 | 11B | 91 BPM | ||
| Manninda Kaaya | Hamsalekha, K. S. Chithra, Purandara Daasaru | B Major | 6 | 1B | 170 BPM | ||
| Anudina Ninna Nenadu | Puttur Narasimha Nayak | C Major | 6 | 8B | 126 BPM | ||
| Sobaana Sobaana | Rajkumar, Ramesh Chandra, K.S. Surekha, Sri Raksha Aravind | D♭ Major | 6 | 3B | 103 BPM | ||
| Chandrasekhara Chandrasekhara - Shiva | Nandamuri Raja | B Major | 3 | 1B | 100 BPM | ||
| Paahi Paahimaam | Ganapathi Manthiram 4 | D Major | 3 | 10B | 52 BPM | ||
| Kareyalu Odeneye | Ananthkumar, Jayamurthi | E♭ Minor | 5 | 2A | 96 BPM | ||
| Saavira Mettilu | B.K. Sumitra | D Major | 5 | 10B | 89 BPM | ||
| He Vignaraja | S. Janaki | A Minor | 6 | 8A | 147 BPM | ||
| Thande Thayigalesto (Dhaniya Nodideno) | Mysore Ramachandrachar | E♭ Minor | 6 | 2A | 159 BPM | ||
| Sarasijanabha | Durga Viswanath | D♭ Major | 8 | 3B | 115 BPM | ||
| Shri Rudrashtakam | Naynesh Jani | F Minor | 7 | 4A | 135 BPM | ||
| Kumbashi Sri Mahaganapathi Suprabhatha | K.S. Surekha | A♭ Major | 3 | 4B | 142 BPM | ||
| Neeratarangini Teera Narasimha | Anantraj Mistry | D Major | 5 | 10B | 146 BPM | ||
| Sri Mallikarjuna | S.P. Balu | D♭ Major | 3 | 3B | 128 BPM | ||
| Rama Rama Sri Raghurama | Sheshagiridas Raichur | D♭ Major | 4 | 3B | 175 BPM | ||
| Siva Tandavam - Ragamalika | Gopalakrishna | F Major | 4 | 7B | 115 BPM | ||
| Nambidora Mane | M. S. Ravigowda, B. Jayashree, Nandita | C Major | 6 | 8B | 118 BPM | ||
| Laali Adida Ranga | Sri Vdyabhushan Teertha Swamiji | G Major | 5 | 9B | 126 BPM | ||
| Saranam Cheppukuntoo | K. S. R. Murthy | F Minor | 7 | 4A | 179 BPM | ||
| Mahima Pogada Taramaa | Swapna | F♯ Minor | 6 | 11A | 140 BPM | ||
| Paramanandam Paavana Charitam | Kasturi Shankar | F♯ Minor | 4 | 11A | 135 BPM | ||
| Kalaya Vaishnava Maayayaa | Nihal Konduri | A Minor | 5 | 8A | 85 BPM |