Hotel Books's ' "Constant Conflicts" was released on its scheduled release date, June 3, 2016. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Run Wild, Stay Alive". In this album, this song's track order is #4. Based on our statistics, Constant Conflicts's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Constant Conflicts by Hotel Books having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forgive Me, Pt. 1 | Ambleside | B♭ Minor | 9 | 3A | 174 BPM | ||
| Dead Reckoning | Free Throw | E♭ Minor | 9 | 2A | 148 BPM | ||
| Heidi Ho | Hindsight, Love Alone | E Major | 10 | 12B | 87 BPM | ||
| Guilt Free | Conceptions | D Minor | 9 | 7A | 120 BPM | ||
| Digging | Vanna | C Major | 10 | 8B | 150 BPM | ||
| Remorse | Defeater | B♭ Major | 10 | 6B | 145 BPM | ||
| A Distance | John Floreani | F♯ Minor | 6 | 11A | 144 BPM | ||
| Constant Conclusions | Hotel Books | D Major | 8 | 10B | 115 BPM | ||
| Goodbye | Parkwood | E Major | 7 | 12B | 125 BPM | ||
| Fathers | CommonWealth | F Major | 9 | 7B | 168 BPM | ||
| Inuit | Foxing | D Major | 8 | 10B | 151 BPM | ||
| Wooden Floorboards | Hotel Books | D Minor | 5 | 7A | 67 BPM | ||
| Half Awake, Half in a Dream | Dependence, Woven in Hiatus | C Major | 5 | 8B | 150 BPM | ||
| L'exquisite Douleur | Being As An Ocean | G Major | 9 | 9B | 170 BPM | ||
| Teach Me How To Self Destruct | Old Gray | E Minor | 1 | 9A | 63 BPM | ||
| Give Myself to the World | Ghost Chant | E Minor | 10 | 9A | 105 BPM | ||
| From the Sticks to Bitterness | Crooks UK | C Major | 9 | 8B | 130 BPM | ||
| To the Sun | Grandview | E Minor | 5 | 9A | 132 BPM | ||
| Hudsonville MI 1956 | La Dispute | F Major | 9 | 7B | 147 BPM | ||
| Grapefruit | Aaron West and The Roaring Twenties | C Major | 5 | 8B | 167 BPM | ||
| Losing Fight | Movements | G Major | 3 | 9B | 112 BPM | ||
| St. Peter | Being As An Ocean | B Minor | 9 | 10A | 136 BPM | ||
| Chamomile | What We Lost | A♭ Minor | 7 | 1A | 80 BPM | ||
| Cardigan | The Cardboard Swords | B♭ Major | 8 | 6B | 117 BPM | ||
| Whole Again | Front Porch Step | B Major | 7 | 1B | 82 BPM |