Paul Pritchard, H. Parsley, Louis Edwards's 'Battle Scars' had a release date set for March 21, 2016. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Battle Scars's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Strings Reconstructed". In this album, this song's track order is #1. In terms of popularity, Battle Scars is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Battle Scars by Paul Pritchard, H. Parsley, Louis Edwards having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Saboteur Theme | EA Games Soundtrack | G Major | 4 | 9B | 180 BPM | ||
| On the Way to San Mateo | Lalo Schifrin | C Minor | 4 | 5A | 129 BPM | ||
| Attesa jazz | Roberto Pregadio | E♭ Major | 2 | 5B | 93 BPM | ||
| Slow Sin Jazz | Silencio | B Minor | 4 | 10A | 78 BPM | ||
| Last Train To Ecstasy | Les Deux Love Orchestra | E Minor | 2 | 9A | 90 BPM | ||
| Into The Mist | autoisolation | A Minor | 1 | 8A | 90 BPM | ||
| Norwegian Horror Saga | Manet | G Minor | 1 | 6A | 76 BPM | ||
| The Pulse of Attraction | Paul Pritchard | E Minor | 2 | 9A | 144 BPM | ||
| Nightmare | Les Deux Love Orchestra | A Major | 4 | 11B | 75 BPM | ||
| New Beginning, Pt. 3 | Andrew Hale, Simon Hale | G Minor | 1 | 6A | 145 BPM | ||
| Dark Jazz | Parov Stelar | F Major | 4 | 7B | 114 BPM | ||
| Cotard Delusion | The Kilimanjaro Darkjazz Ensemble | E Minor | 4 | 9A | 84 BPM | ||
| The Smoke Room | Alexandra Woodward | F Major | 1 | 7B | 80 BPM | ||
| Hoods Present The Hood | Kristopher Carter | C Minor | 2 | 5A | 79 BPM | ||
| Another One for the Ride | Manet | E Minor | 0 | 9A | 120 BPM | ||
| Dark Jazz Is Dead | Bebopovsky And The Orkestry Podyezdov | C Minor | 3 | 5A | 70 BPM | ||
| Harlem - From "Ernest Cole: Lost and Found" | Alexei Aigui | D Minor | 2 | 7A | 70 BPM | ||
| Our Kingdom (Instrumental) | Paul Pritchard, H. Parsley, Louis Edwards | D♭ Major | 7 | 3B | 174 BPM | ||
| Last call | Midnight Smoke | G Minor | 0 | 6A | 157 BPM | ||
| White Eyes | The Kilimanjaro Darkjazz Ensemble | A♭ Major | 2 | 4B | 102 BPM | ||
| On Demon Wings | Bohren & Der Club Of Gore | D♭ Minor | 0 | 12A | 77 BPM | ||
| Other Days | Black Chamber | G Major | 3 | 9B | 81 BPM | ||
| Walking to the Moon | Sullivan Murphy | F Major | 2 | 7B | 54 BPM | ||
| The Job | Daniel Diaz | F Major | 3 | 7B | 148 BPM | ||
| Afterglow | Bob Sneider, Joe Locke | C Minor | 2 | 5A | 84 BPM |