On January 19, 2024, the song "(I'm) Always True To You In My Fashion - Ella Fitzgerald Sings the Cole Porter Songbook" was released by Ella Fitzgerald. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. (I'm) Always True To You In My Fashion - Ella Fitzgerald Sings the Cole Porter Songbook's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ella Fitzgerald's "INTEGRAL ELLA FITZGERALD 1956-1957" album is number 13 out of 207. On top of that, France appears to be the country where this track was created. Based on our statistics, (I'm) Always True To You In My Fashion - Ella Fitzgerald Sings the Cole Porter Songbook's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of (I'm) Always True To You In My Fashion - Ella Fitzgerald Sings the Cole Porter Songbook by Ella Fitzgerald to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Autumn Serenade | John Coltrane, Johnny Hartman | F Minor | 2 | 4A | 115 BPM | ||
| Sweet Georgia Brown | Alberta Hunter | D Minor | 3 | 7A | 131 BPM | ||
| You're the Top | Ella Fitzgerald | A♭ Major | 4 | 4B | 141 BPM | ||
| Hit That Jive Jack | Diana Krall | G Major | 4 | 9B | 114 BPM | ||
| September In The Rain | George Shearing | F♯ Minor | 1 | 11A | 176 BPM | ||
| The Real American Folk Song | Ella Fitzgerald | F Major | 4 | 7B | 95 BPM | ||
| Basin Street Blues - 1958 version | The Mills Brothers, Donald Mills, Herbert Mills, Harry Mills, John Mills Jr | D♭ Major | 0 | 3B | 75 BPM | ||
| Next Time | Caity Gyorgy | B Major | 4 | 1B | 73 BPM | ||
| Day In Day Out | Ella Fitzgerald | E♭ Major | 3 | 5B | 142 BPM | ||
| Willow Weep for Me | Dakota Staton | B♭ Major | 3 | 6B | 97 BPM | ||
| The Music Man: Till I Met You (1950 mono recording) | Eileen Wilson, Meredith Willson Orchestra, Meredith Willson | F Minor | 3 | 4A | 117 BPM | ||
| Softly As In A Morning Sunrise | Lorez Alexandria | F Minor | 1 | 4A | 148 BPM | ||
| Harlem On My Mind | Catherine Russell | C Major | 2 | 8B | 83 BPM | ||
| How Sweet It Is To Be In Love | Johnny Hartman | B♭ Major | 1 | 6B | 105 BPM | ||
| A Sunday Kind Of You | Dinah Washington & Orchestra | C Minor | 2 | 5A | 69 BPM | ||
| Memphis Blues | Bing Crosby, Ella Fitzgerald | E♭ Major | 4 | 5B | 98 BPM | ||
| I've Been Kicking Myself | Caity Gyorgy, Mark Limacher | B♭ Minor | 4 | 3A | 176 BPM | ||
| My Kinda Love | Ernestine Anderson | G Minor | 3 | 6A | 67 BPM | ||
| Honeysuckle Rose | Fats Waller | F Major | 2 | 7B | 155 BPM | ||
| I'm in a Mess (feat. Samara Joy) | Pasquale Grasso, Samara Joy | A♭ Major | 3 | 4B | 117 BPM | ||
| Don't Look At Me That Way | Jeri Southern | F Major | 3 | 7B | 67 BPM | ||
| Hi-Lili, Hi-Lo | Etta Jones | C Major | 1 | 8B | 62 BPM | ||
| There's No True Love | Rachael & Vilray | A Major | 3 | 11B | 92 BPM | ||
| Tea For Two | Blossom Dearie | B♭ Minor | 0 | 3A | 100 BPM | ||
| Black Coffee | Sarah Vaughan | D♭ Major | 2 | 3B | 94 BPM |