On March 10, 2020, the song "Ohi Mahua Beriya" was released by Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rani's "Mora Gharwa Me Devra Jawan (Maithili Song)" album is number 7 out of 9. On top of that, India appears to be the country where this track was created. Ohi Mahua Beriya is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ohi Mahua Beriya by Rekha Rani to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amrit Ke Dhaar | Alok Kumar | G Major | 9 | 9B | 105 BPM | ||
| Paihanab Shameej Salwar | Bijli Rani, Rekha Rani | A♭ Major | 7 | 4B | 91 BPM | ||
| Jodi No 1 | Deep Khadrai, Jagdish Sharma | A♭ Minor | 7 | 1A | 177 BPM | ||
| Prem Chinhela Na Aadmi Kavan Jath Ha | Karina Pandey, Sovita Pandey | F♯ Major | 7 | 2B | 139 BPM | ||
| Khake Kamla Pasand Saiya Mare Dana Dan - Bhojpuri | Mithlesh Tufani | D♭ Major | 10 | 3B | 120 BPM | ||
| Dilli Sarkar Hilela | Kalpana | B♭ Minor | 8 | 3A | 148 BPM | ||
| Mora Gharwa Me Devra Jawan Bate | Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Maroon Color Sadiya - From "Fasal" | Neelkamal Singh, Kalpana Patowary, Om Jha | C Major | 9 | 8B | 75 BPM | ||
| Jahiya Rangdari Chamke | Anurag Pandit | D♭ Major | 9 | 3B | 112 BPM | ||
| Mar Deb Goli Thanwe Par Gher Ke | Tuntun Yadav, Anupma Yadav | A Minor | 10 | 8A | 110 BPM | ||
| Ganna Ke Ras | Khushboo Uttam, Guddu Rangila | F♯ Minor | 10 | 11A | 130 BPM | ||
| Tuli Mushiya Ro Gano | Ram Singh Phanker | F♯ Minor | 9 | 11A | 114 BPM | ||
| Bamniye 3.0 | Arun Justa | F Minor | 9 | 4A | 140 BPM | ||
| Dhani Hasa Bola Khola Tani Chhitkilli | Naresh Vyash, Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Date Badi Ki Gadi Ladi | Arvind Akela Kallu Ji | F♯ Minor | 9 | 11A | 160 BPM | ||
| Bada Jalidar Ba Tohar Kurti | Akash Babua | A Major | 10 | 11B | 140 BPM | ||
| Agg Lage Charhadi Jawani Ho | Darmaiz Sondhu, Rekha Rani | E♭ Major | 8 | 5B | 148 BPM | ||
| Tohra La Kehu Jiyela | Karina Pandey | F♯ Major | 7 | 2B | 137 BPM | ||
| Gori Tor Chunari | Ritesh Pandey, Antra Singh Priyanka | D♭ Major | 10 | 3B | 150 BPM | ||
| Upar Ayisan Ta Niche Kayisan | Sakal Balamuwa | F Minor | 10 | 4A | 135 BPM | ||
| Kera Ke Tham | Purav Jha, Saurabh Safary | A♭ Minor | 10 | 1A | 138 BPM | ||
| Thana Bate Babhan Ke Jamin Me | Raja Singh, Yashika Chandra | B♭ Minor | 10 | 3A | 124 BPM | ||
| Billi Me Killi Lagake Hilaila Raja Ji | Awadhesh Premi | A♭ Minor | 8 | 1A | 168 BPM | ||
| Kahan Jaaiba Chhaila | Bijli Rani, Rekha Rani | A Major | 5 | 11B | 160 BPM | ||
| Tharo Lahngo Rani | Aanandi Lal Bhavel | G Minor | 7 | 6A | 128 BPM |